Bluebird Photoplays Inc. é nato nel 0 É un Produktion La goccia scarlatta (1918), Little Eve Edgarton (1916), The Love Girl (1916),
Biografia in Tedesco (in Tedesco):
Bluebird Photoplays - A Chronology
1916
1916 - January 1: "Bluebird Photoplays, Inc. enters film field", Exhibitor's Herald January 01, 1916, pg 13
"Undine" Follows "Secret Love" From the Bluebird Latter Is Scheduled for Release on January 31— Third in the Brand, "Winch Was Directed by Henry Otto, Will Be Followed by "Hop, the Devil's Brew"
BLUEBIRD PHOTOPLAYS have stirred advance interest that seems to promise an immediate success when the release of Mme. Sarah Bernhardt's "Jeanne Dore" goes into effect this week. The preliminary release of the Bernhardt feature in New York and vicinity was marked by great public interest.
The release for January 31, immediately following Bernhardt, will be Helen Ware's portrayal of Joan Lowrie in "Secret Love," a feature founded on Mrs. Frances Hodgson Burnett's novel, "That Lass o' Lowries"; and the third Bluebird will be "Undine."
Henry Otto, who produced the screen version of De La Motte Foquet's fairy tale, went to the Catalina Islands, off the California coast, to find suitable land and water opportunities to realize the great possibilities of the picture phantasy. There, among the grottos and along the beautiful stretches of shore, he found settings for some wonderful photography.
_ "Hop, the Devil's Brew" is scheduled for release, following "Undine," on February 14. This feature has as its basis the traffic in opium, and in working out the details, customs officials of San Francisco co-operated.
As indicating the success that has attended the early campaign, M. H. Hoffman, executive manager of Bluebird Photoplays, Inc., said, in an interview with Motion Picture News, the other day : "I like these long winter nights. They give me so much more time to add to a day's work. We have been forced to unprecedented activities by the demands exhibitors have made upon us for Bluebird Photoplays.
"The news that the Bernhardt film had been pre-released in New York spread quickly throughout the country, and this evidence that 'Jeanne Dore' was actually arriving at a general release has flooded us with demands for the film.
"Whether Bernhardt shall ever come to America remains a question that time alone can solve ; but it is a certainty that she cannot come for many months, even if she is ever able to appear upon the stage over here again.
"The fact that Bluebird has her in pictures, and in the last play she appeared in, is an advantage exhibitors have been quick to realize, and they are anxious to 'cash' on the great amount of interest in Bernhardt that the cable reports to the daily papers are creating.
"There is great demand for the subsequent Bluebird releases. Helen Ware, in 'Secret Love,' is a wonderful feature, full of sensations, and when exhibitors get 'Undine' they will realize what a real feature can do in the way of creating public interest.
"I look for 'Undine' to become the most talked about and sensational feature of the season. Yes, indeed, it looks pretty good for Bluebird and those who exhibit our features." (Motion Picture News, February 5, 1916, pg 501)
Bluebird Advertising in Journals Fixes Attention "The Copy" Combines Good Taste with Originality Kept Constantly on Tap by the BLUEBIRD PHOTOPLAYS, INC., have recently attracted attention by the artistic appearance of their advertising in the trade journals.
This advertising combines good taste with effective appeal, and mechanically is excellent. One of the notable things about it is its large amount of white space. There is enough type to carry the message, but the advertisement is not overcrowded.
Panel effects arc used for these advertisements, and the whole tone is white and gray rather than old-fashioned black, from which advertisers of every description are fast getting away.
The Bluebird publicity department is also issuing very complete press matter tor their features. This is printed on Effective Appeal and Indicates a Fount of "Fountaineers" of the Publicity Department light blue stock, and contains complete synopsis of the play, gossip about the stars and various other items intended for use in newspapers.
Each story has a couple of blank lines in which may be inserted the theatre name and dates of showing.
Instead of printing a large sheet, the Bluebird people hit upon the idea of using a page, 11 x 8 T 4, with one side blank. Six of these pages are printed together, and fold conveniently. Another is inserted. This form is more serviceable than the customary broadside.
The last page carries specimens of stock cuts supplied for newspaper use. These are built along the distinctive lines of the Bluebird advertising mentioned above.(Motion Picture News, February 12, 1916, pg 860)
"Tangled Hearts" Is First Bluebird for April [1916]
FOR the third month of Bluebird Photoplays the April showings arranged by General Manager M. H. Hoffman promise to easily maintain the standard that has thus far marked the progress of the newly-established program of features.
Louise Lovely, in "Tangled Hearts," will start the month with a society problem play in which she is supported by Agnes Vernon and Marjorie Ellison, Lon Chaney, Haywood Mack and Jay Belasco.
Tyrone Power, in "John Needham's Double," makes his debut as a Bluebird star, April. The play was used to first introduce the late E. S. Willard to American theatregoers. The Smalleys directed.
Violet Mersereau joins the Bluebird family to appear as star in the release for April 17 — "The Great Experiment." Rex Ingram furnished the scenario and has directed the production of a psychological problem play which approaches criminology from a new angle.
The feature released April 24 will be "The Gay Lord Waring" with J. Warren Kerrigan the star. This is from the story of Houghton Townley, the scenario by F. McGrew Willis. Otis Turner directed. (Motion Picture News, April 1, 1916, pg 1872 )
Bluebird Themes Fit in with Daily News "Stories" "The Yaqui," Pictured on Mexican Soil, Is Given Special Interest by Villa Chase, and "Great Problem," Prison Reform Play, Bears on Osborne Case
IT becomes opportune to note the success Bluebird photoplays have made under the direction of General Manager M. H. Hoffman, both as a strictly commercial achievement and as exponents of timeliness in theme and general interest.
Of the fourteen features that have been either released or announced, one out of four has touched upon a subject that has held the interest and attention of the general public right at a time when the newspapers carried many columns treating matters from a news standpoint.
The Sarah Bernhardt release started the program, immediately it became known, through cable dispatches, that the great French tragedienne could not fulfill her American engagements this year and, in all probability, may never again appear on the stage in a complete drama.
The constantly increasing unrest in Mexico, culminating in the present open hostilities, gave an opportunity to exhibitors to make profitable use of "The Yaqui," a feature pictured on Mexican soil, and showing much the same territory over which the United States troops are now operating.
In this feature real Mexican soldiers are employed in the battle scenes, and there is a faithful representation of conditions in Mexico.
During the past few days every newspaper in the land has been carrying frontpage stories of the Peck murder case, involving Dr. Waite of New York. "Hop, the Devil's Brew," a recent release on the Bluebird program, is based upon the importation of opium and the traffic in habitforming drugs.
Last week Warden-on-Leave Osborne, of Sing Sing Penitentiary, was vindicated in one set of charges and his trial on further indictments is set for early April.
"The Great Problem," to be released by Bluebird Photoplays on April 17 is based an the psychology of crime as addressed specifically to prison reform.
While the great penologist "Tom Brown" — the name assumed by Mr. Osborne when he became a voluntary prisoner at Auburn Penitentiary — is not directly referred to in "The Great Problem," the theories on which he bases his activities constitute the motive of the film.
Rex Ingram wrote and directed the piece and Violet Mersereau is introduced as a Bluebird star for the first time in "The Great Problem."
(Motion Picture News, April 8, 1916, pg 2032)
«There have been a number of changes at Universal City. For the immediate present, Robert Leonard will direct only, and Herbert Rawlinson will play opposite Ella Hall in " Little Eve Edgarton." In this cast also is Doris Pawn, who recently left the Universal and played lead in a Fox production made by Raoul Walsh. Other notables in this cast are Thomas Jefferson who is playing the character part. The story is an adaptation from the book of the same title by Eleanor H. Abbott, and will be a five-reel Bluebird feature.» (Motion Picture News, June 10, 1916, pg 3567)
It seems at that time there was a confusion with another emerging production division at Universal's, Red Feather Photoplays. Red Feather had similar subjects and using more or less the same directors and production units, but their productions were designed to be on a lower budget scale than the Bluebirds. Several pictures were announced as Bluebirds but then released as Red Feathers, among them Dorothy Phillips first Californian pix "The Mark of Cain," announced as "By Fate's Decree" [q.v.] or Jack Conway's "The Beckoning Trail" [q.v.]
THE Crippled Hand was produced at an expenditure exceeding $50,000.00. It is by far the costliest and most lavish five reel feature ever released. It sets a new standard for photo play features, and is indicative of the high standard set by BLUEBIRD Photo Plays— for all other producers to follow. (...) BLUEBIRD Advertising Matter for Exhititors reflects the extremely high character of BLUEBIRD Photoplays — the features known as " the world s finest screen productions. Posters by artists who know how to combine punch with artistic value; heralds of most appropriate design and color; the most elaborate hand colored photo lobby displays ever produced — all are supplied at prices which permit their most liberal use. From every angle of self interest the Exhibitor will find BLUEBIRD Photoplays the most profitable features productions anywhere in the world today. (Motion Picture News, April 29, 1916, pg 2554)
1916 - July 29: "Bluebird Plays to Feature - Not Stars," Company will exploit Productions in Campaign of National Advertising, says M. H. Hoffman, Exhibitor's Herald, July 29, 1916, pg 30
1916 - August 26: "Bluebird is ready for new season with strong features", Exhibitor's Herald, August 26, 1916, pg 42
«Bluebird Has Three Months’ Releases Ready for Exhibitors Saving the Family Name” and “Wanted, A Home,” Will Feature Mary MacLaren, with Phillips Smalley — “Idle Wives” Also a Smalley-Weber Film
General manager M.H. Hoffman announces that there are enough Bluebird features ready for release to supply the program for three months to come, and Bluebird directors are busy with their preparations for future release. September will start the season with four subjects of a widely diversified nature: “ The Unattainable,” a problem drama, introducing Dorothy Davenport and Emory Johnson to the Bluebird program; “ Saving the Family Name,” a Lois Weber production, featuring Mary MacLaren, the heroine of “ Shoes,” with Phillips Smalley as her leading man; “Behind the Lines,” a military drama, featuring Harry Carey and Edith Johnson; and “The Evil Women Do,” a good old-fashioned melodrama, based on Emil Gaboriau’s detective story, “ The Clique of Gold,” in which Elsie Jane Wilson, Francelia Billington, and Rupert Julian will be prominent.
There will be another Lois Weber’s production October 2, to start the second month of the season, Mary MacLaren again being featured in “ Wanted — a Home.” Lois Weber wrote the scenario and directed While the dates are not definitely set, the other October Bluebirds will be drawn from a large selection of subjects ready to release ; among them being : Mendelssohn’s “ Spring Song,” featuring Ruth Stonehouse and Rupert Julian; “The Social Buccaneer,” wherein Louise Lovely and J, Warren Kerrigan, previous lone-stars on the Bluebird program, will unite in portraying Frederick S. Isham’s story ; “ The Chalice of Sorrow,” which will introduce Cleo Madison to the Bluebird series, under Rex Ingram’s direction; and Lois Weber’s presentation of James Oppenheim’s story, “ Idle Wives,” wherein Miss Weber, Phillips Smalley, and Mary MacLaren will be featured. (Motion Picture News, September 9, 1916, pg 1523)
Ella Hall is to be the star of a five-reel Bluebird, written by Fred Myton, Universal staff author. This has not been placed in production as yet. The title is “ Pawn,” the story getting its name from the girl who knows practically nothing of the world beyond the pawn shop in which she has spent much of her life. (Motion Picture News, September 9, 1916, pg 1541)
1916: The changes incident in shifting Bluebird's policy to the broader and more substantial purpose of advertising the play instead of the player will bring several new leading ladies into the series during the next few weeks. Cleo Madison, who has been directing productions on her own account, will make her first appearance as a Bluebird on Oct. 9 in "The Chalice of Sorrow." Roberta Wilson will appear In "The Heritage of Hate," Oct. 23 : Grace Carlyle will be the leading woman for Herbert Rawlinson In "The Eagle's Wing," and Ruth Stonehouse will be seen in several Bluebirds starting with Mendelssohn's "Spring Song" or another play, "Klnkaid Gambler" which is awaiting to be scheduled. [Variety, 1916 pg 49 / 1331-pdf]
1916 - November 10: "Bluebird will exploit films along state rights basis plan", Exhibitor's Herald, November 10, 1916, pg 28
1917
1917 - March 24: "Bluebird has sufficient number of films on list to last till June", Exhibitor's Herald, March 24, 1917, pg 43
1917 - June 23: «Best of the Bluebirds - S.B. Kramer, manager of the New York Bluebird offices, names the ten most popular Bluebird productions as "The Eagle's Wings," a special feature; "The Bugler of Algiers," with Rupert Julian and Ella Hall; "God's Crucible," with Myrtle Gonzalez and George Hernandez; "The Mysterious Mrs. M.," with Mary MacLaren and Harrison Ford; "Mutiny," with Miss Gonzalez and Mr. Hernandez; "Polly Red Head," with Ella Hall; "The Clock," with Franklyn Farnum; "A Jewel in Pawn," with Miss Hall; "Little Miss Nobody," with Violet Mersereau and "Treason," with Allen Holubar and Lois Wilson. Mr. Kramer places "The Eagle's Wings," wich deals with national preparedness, as the most popular Bluebird screened. It is playing, he says, three and four returns to the same theaters.» [The New York Dramatic Mirror, June 23, 1917, pg 7]
1917 - July 3: Shifts in Schedule The original date for circulating "The Little Terror" on the Bluebird program, with Violet Mersereau as the star, was July 23, but owing to delay in securing the negative it has been necessary to move the Mersereau picture to July 30, switching with Dorothy Phillips, in "The Rescue," formerly announced for that date. This will bring Miss Phillips to exhibitors July 23, three weeks after she appears in "Fires of Rebellion."
The date for distributing Franklyn Farnum and Brownie Vernon's comedy drama, "The Clean-up," remains August 9, but no definite announcements are made after that issue of Bluebird's. There are, however, numerous releases ready for schedule, including attractions for Ella Hall ("Little Miss Fix-It"); Rupert Julian and Ruth Clifford ("My Mother"); Neva Gerber and George Hernandez ("Mr. Opp"); Dorothy Phillips ("Triumph"); and Franklyn Farnum and Brownie Vernon (The Fourth Glove").
These features being complete, Bluebird directors are turning their attention to the future. Both Joseph De Grasse and Ida May Park are arranging for more Dorothy Phillips pictures; Elmer Clifton, the new director for the Farnum-Vernon combination, and Jack Conway, who directs Ella Hall, are taking no vacation that autumn subjects may be made ready for Bluebird exhibitors. (Motography, July 7, 1917, pg 22)
1917 - October 20: Carl Laemmle takes active Control of Bluebird
Having finally arranged his otherwise extensive film holdings so that he will have time to devote hinself to his favorite interests, Carl Laemmle, president of Universal, has taken over both the production and distribution of Bluebird photoplays.
The increased activities in Bluebird affairs, which Mr. Laemmle now assumes, as managing director, will involve his full participation in the most important advances the series has made since its establishment, marking a broadening of policy that has for some time been contemplated, and the introduction of innovations still to be announced. Every matter of policy, distribution, production and advertising, in all essential details, will, in future, have his personal attention.
Mr. Laemmle said: "Simultaneously Bluebird enlarges its original scope to encompass not alone the dogma, 'The Play's the Ting,' but goes further to enlist a star in every production. That we may fully exploit our attractions to the mutual advantage of Bluebird and the exhibitor, there will be inaugurated on October 15 [1917] a campaign of national advertising that will employ billposting in all of the more prominent cities in every state from coast to coast. The schedule for this advertising has been prepared; the contracts for posting has been awarded in every town on the list and there will be Bluebirds flying in climates and localities where the bird of happiness has never previously been a-wing during similar seasons." (Motography, October 20, 1917, Vol XVIII pg 816)
1917 - October 20: "Bluebirds Regular at Broadway Theater, New York", Motography, October 20, 1917, Vol XVIII pg 818
1917 - October 27: "November Important Month for Bluebird," Motography, October 27, 1917, Vol XVIII pg 869
1917 - November 3: "Favorite Novels for Bluebirds," Motography, November 3, 1917, Vol XVIII pg 916
1918
1918 - February 2: Laemmle Changes Plays and Titles - Changes in both plays and titles are announced by Managing Director Carl Laemmle for the February program of Bluebirds. The stars involved include Monroe Salisbury, Mae Murray, Carmel Myers and Franklyn Farnum.
Here is the final arrangement for February : " The Wife He Bought " will be presented by Carmel Myers week starting February 4. " Hands Down " will have Monroe Salisbury as its star, released February 11, Ruth Clifford being featured as Mr. Salisbury's leading lady. " The Morals of an Actress " is a Robert Leonard production to be presented by Mae Murray, February 18. " The Rough Lover," to be presented by Franklyn Farnum, February 25, has been previously referred to under its original title, " Breeze Bolton Blows In," a published story by Joseph F. Poland.
Allotments of Bluebirds for March are tentatively forecasted " thus : March 4, Carmel Myers, in " The Green Seal " ; March 11, Monroe Salisbury, in " Hungry Eyes " ; March 18, a Dorothy Phillips production, " Her Fling " ; March 25, Mae Murray, in " The Eleventh Commandment." (The Motion Picture News, February 2, 1918, pg 723)
1918 - March 30: Bluebird to Have Four Regular Companies AN important change has been made in the lineup of the stars and productions which are to be released on its program by the executive officials of Bluebird Photoplays, Inc.
Starting with the week of April 8, the players who will appear regularly in Bluebird productions will be Carmel Myers, Franklyn Farnum, Ella Hall, Ruth Clifford and Monroe Salisbury. The last two play opposite each other and therefore are to be regarded as one unit.
There will therefore be in the future four regular Bluebird companies, containing the stars enumerated above, instead of the greater number that has turned out the features released by this organization heretofore. These companies will provide at least forty of the fifty-two releases for the year. Other stars, however, will occasionally appear on the Bluebird program when their productions are of the quality and standard demanded by the officials of that organization.
Priscilla Dean and Louise Lovely are stars who will provide two of the extra features required to round out the full year's Bluebird output. Examples of their work appear in the list of April's releases.
As they appear in the order of their release, April's Bluebirds are :
April 1, "Fast Company," in which Franklyn Farnum is featured.
April 8, "The Red, Red Heart," with Monroe Salisbury and Ruth Clifford, directed by Rupert Julian.
April 15, Louise Lovely in "A Rich Man's Darling," a comedy-drama.
April 22, "The Two-Soul Woman," an adaptation of " The White Cat," by Gilett Burgess. Priscilla Dean is the featured player.
April 29, Carmel Myers in " The Wife He Bought." The story is by Blair Hall and was adapted by Harvey Gates. Stuart Paton directed the picture. (The Motion Picture News, March 30, 1918, pg 1888)
1918 - March 30: Secret Service" Organized by Universal ACTING upon recommendations made to President Carl Laemmle by Joe Brandt, Universal's assistant treasurer, the Universal company is organizing a " secret service " corps of field men whose sole duty will be to report the reception accorded its various productions.
Mr. Brandt conducted a preliminary investigation along these lines while on a recent tour of the Middle West. One of the complaints made by exhibitors generally was to the effect that producers seem to lack knowledge of the kind of pictures best calculated to attract business of their particular patronage.
Frequently the public's tastes for pictures changes overnight. Today it may consist of a desire to see war pictures. Tomorrow society dramas may be in demand, while on the following day Western dramas are wanted. With an organization of "secret service" men constantly in the field to keep their fingers on the public's pulse, it is Mr. Laemmle's belief that his company will be able to cater to the demand within no greater a period of time than is required to turn out the subjects desired.
The men will be called " Secret Service " men because they will not make themselves known to the exhibitors. Instead, they will enter the theatres as ordinary patrons and observe the effect upon the audiences of the Universal and Bluebird productions that are presented. Whatever criticisms are made will be promptly reported to the home office.
After they have been brought to Mr. Laemmle's personal attention these opinions will be forwarded to Universal City where they will be shown to the directors, who will be able to avoid any errors in production they may have committed in the pictures criticized adversely. (The Motion Picture News, March 30, 1918, pg 1894)
1918 - September 14: Happiness -- that's All!
Others may make sad, sad tales of unhappiness, of crime, of sex problems, of many questionable things popularly thought to be "gripping" - but not Bluebird!
Others may make pictures that you'd "like" to take, but are a little "afraid" of - but not Bluebird!
Others may make pictures that for a time are good - but not Bluebird!
Bluebirds are simply Happiness - simply Entertainment - pictures that you can book right along, year in, year out, with the absolutely certain knowledge that every single one will please your patrons and make money for you.
And that's all that any group of plays can do. (Moving Picture Weekly, September 14, 1918)
Bluebird Photoplays Inc. Filmografia [Auszug]
1919: [03.17] The Light of Victory (Casa produtrice), Regia William Wolbert, con Monroe Salisbury, Bob Emmons, ,
1919: [03.02] A Taste of Life (Casa produtrice), Regia John Francis Dillon, con Edith Roberts, Billy Mason, George Hernandez,
1919: [02.24] The Little White Savage (Casa produtrice), Regia Paul Powell, con Carmel Myers, Harry Hilliard, William J. Dyer,
1919: [02.17] The Sealed Envelope (Casa produtrice), Regia Douglas Gerrard, con Fritzi Brunette, William Sheer, Joseph W. Girard,
1919: [02.10] The Millionaire Pirate (Casa produtrice), Regia Rupert Julian, con Monroe Salisbury, Ruth Clifford, Jack Mower,
1919: [02.03] Sue of the South (Casa produtrice), Regia Eugene Moore, con Edith Roberts, Ruby Lafayette, George Hackathorne,
1919: [02.01] The Nature Girl (Casa produtrice), Regia O.A.C. Lund, con Violet Mersereau, Donald Stuart, Frank Wunderlee,
1919: [01.27] Who Will Marry Me? (Casa produtrice), Regia Paul Powell, con Carmel Myers, Thurston Hall, William J. Dyer,
1919: [01.20] The Game's Up (Casa produtrice), Regia Elsie Jane Wilson, con Albert Ray, Ruth Clifford, ,
1918: [10.14] Together (Casa produtrice), Regia O.A.C. Lund, con Violet Mersereau, Chester Barnett, Bernard Randall,
1918: [12.30] The Cabaret Girl (Casa produtrice), Regia Douglas Gerrard, con Ruth Clifford, Carmen Phillips, Ashton Dearholt,
1918: [12.23] The Sea Flower (Casa produtrice), Regia Colin Campbell, con Juanita Hansen, Gayne Whitman, Fred Huntley,
1918: [12.16] Danger, Go Slow (Casa produtrice: (--??--)), Regia Robert Z. Leonard, con Mae Murray, Jack Mulhall, Lon Chaney,
1918: [12.16] She Hired a Husband (Casa produtrice), Regia John Francis Dillon, con Priscilla Dean, Marian Skinner, Frederick Vroom,
1918: [12.09] Set Free (Casa produtrice), Regia Tod Browning, con Edith Roberts, Harry Hilliard, Harold Goodwin,
1918: [12.02] Tongues of Flame (Casa produtrice), Regia Colin Campbell, con Marie Walcamp, Gayne Whitman, Alfred Allen,
1918: [11.30] A letto ragazzi (All Night) (Casa produtrice), Regia Paul Powell, con Carmel Myers, Rudolph Valentino, Charles Dorian,
1918: [11.23] Hugon, the Mighty (Casa produtrice), Regia Rollin S. Sturgeon, con Monroe Salisbury, Marjorie Bennett, Antrim Short,
1918: [10.07] The Lure of Luxury (Casa produtrice), Regia Elsie Jane Wilson, con Ruth Clifford, Edward Hearn, Harry von Meter,
1918: [09.30] The Velvet Hand (Casa produtrice), Regia Douglas Gerrard, con Fritzi Brunette, William Conklin, Gino Corrado,
1918: [09.28] The Talk of the Town (Casa produtrice: (--??--)), Regia Allen Holubar, con Dorothy Phillips, George Fawcett, Clarissa Selwynne,
1918: [09.23] A Society Sensation (Casa produtrice), Regia Paul Powell, con Carmel Myers, Rudolph Valentino, Lydia Yeamans Titus,
1918: [09.16] Beans (Casa produtrice), Regia John Francis Dillon, con Edith Roberts, Lew Cody, Charles K. Gerrard,
1918: [09.14] Modern Love (Casa produtrice: (?) accd. some sources), Regia Robert Z. Leonard, con Mae Murray, Philo McCullough, Arthur Shirley,
1918: [09.09] The Brazen Beauty (Casa produtrice), Regia Tod Browning, con Priscilla Dean, Gertrude Astor, Thurston Hall,
1918: [09.02] That Devil, Bateese (Casa produtrice), Regia William Wolbert, con Monroe Salisbury, Adda Gleason, Lamar Johnstone,
1918: [08.26] Fires of Youth (Casa produtrice), Regia Rupert Julian, con Ruth Clifford, Ralph Lewis, George Fisher,
1918: [08.12] Playthings (Casa produtrice), Regia Douglas Gerrard, con Fritzi Brunette, Myrtle Reeves, Charles K. Gerrard,
1918: [08.05] The Love Swindle (Casa produtrice), Regia John Francis Dillon, con Edith Roberts, , Leo White,
1918: [07.29] The Dream Lady (Casa produtrice), Regia Elsie Jane Wilson, con Carmel Myers, Thomas Holding, Kathleen Emerson,
1918: [07.22] The Deciding Kiss (Casa produtrice), Regia Tod Browning, con Edith Roberts, Winifred Greenwood, Hallam Cooley,
1918: [07.20] Winner Takes All (Casa produtrice), Regia Elmer Clifton, con Monroe Salisbury, Alfred Allen, Betty Schade,
1918: [07.06] The Empty Cab (Casa produtrice), Regia Douglas Gerrard, con Franklyn Farnum, Eileen Percy, Harry de More,
1918: [07.01] After the War (Casa produtrice), Regia Joseph De Grasse, con Grace Cunard, Edward Cecil, Frank Whitson,
1918: [] Scandal Mongers (Casa produtrice), Regia Lois Weber, Phillips Smalley, con Lois Weber, Phillips Smalley, Rupert Julian,
1918: [06.29] The City of Tears (Casa produtrice), Regia Elsie Jane Wilson, con Carmel Myers, Edwin August, Earle Rodney,
1918: [06.22] The Eagle (Casa produtrice), Regia Elmer Clifton, con Monroe Salisbury, Edna Earle, Ward Wing,
1918: [06.10] Which Woman? (Casa produtrice), Regia Tod Browning, Harry A. Pollard, con Ella Hall, Priscilla Dean, A. Edward Sutherland,
1918: [06.16] Her Body in Bond (Casa produtrice: (?) accd some reviews), Regia Robert Z. Leonard, con Mae Murray, Kenneth Harlan, Alan Roscoe,
1918: [06.08] Midnight Madness (Casa produtrice), Regia Rupert Julian, con Ruth Clifford, Kenneth Harlan, Harry von Meter,
1918: [06.02] The Mortgaged Wife (Casa produtrice: (originally announced as)), Regia Allen Holubar, con Dorothy Phillips, Alan Roscoe, William Stowell,
1918: [06.01] A Broadway Scandal (Casa produtrice), Regia Joseph De Grasse, con Carmel Myers, W.H. Bainbridge, Edwin August,
1918: [05.25] $5,000 Reward (Casa produtrice), Regia Douglas Gerrard, con Franklyn Farnum, William Lloyd, Gloria Hope,
1918: [05.19] A Soul for Sale (Casa produtrice: (--??--)), Regia Allen Holubar, con Dorothy Phillips, Katherine Kirkwood, Alan Roscoe,
1918: [05.13] The Guilt of Silence (Casa produtrice), Regia Elmer Clifton, con Monroe Salisbury, Ruth Clifford, Alfred Allen,
1918: [05.11] Danger Within (Casa produtrice), Regia Rae Berger, con Zoe Rae, Winifred Greenwood, William A. Carroll,
1918: [05.05] The Bride's Awakening (Casa produtrice), Regia Robert Z. Leonard, con Mae Murray, Lew Cody, Clarissa Selwynne,
1918: [04.29] A Mother's Secret (Casa produtrice), Regia Douglas Gerrard, con Ella Hall, Mary Mersch, T.D. Crittenden,
1918: [04.28] The Two-Soul Woman (Casa produtrice), Regia Elmer Clifton, con Priscilla Dean, Ashton Dearholt, Joseph W. Girard,
1918: [04.27] The Marriage Lie (Casa produtrice), Regia Stuart Paton, con Carmel Myers, Kenneth Harlan, Harry Carter,
1918: [04.25] The Risky Road (Casa produtrice: (Originally announced as), Regia Ida May Park, con Dorothy Phillips, William Stowell, Juanita Hansen,
1918: [04.22] La goccia scarlatta (The scarlet drop) (Casa produtrice: (--??--)), Regia John Ford, con Harry Carey, Molly Malone, Vester Pegg,
1918: [04.18] A Rich Man's Darling (Casa produtrice), Regia Edgar Jones, con Louise Lovely, Edna Maison, Philo McCullough,
1918: [04.08] The Red, Red Heart (Casa produtrice), Regia Wilfred Lucas, con Monroe Salisbury, Ruth Clifford, Val Paul,
1918: [04.01] Fast Company (Casa produtrice), Regia Lynn Reynolds, con Franklyn Farnum, Fred Montague, Katherine Griffith,
1918: [03.25] The Wine Girl (Casa produtrice), Regia Stuart Paton, con Carmel Myers, Rex de Rosselli, E. Alyn Warren,
1918: [03.18] Brace Up (Casa produtrice), Regia Elmer Clifton, con Herbert Rawlinson, Claire du Brey, Alfred Allen,
1918: [03.11] Hungry Eyes (Casa produtrice), Regia Rupert Julian, con Rupert Julian, Monroe Salisbury, Ruth Clifford,
1918: [03.08] The Girl in the Dark (Casa produtrice), Regia Stuart Paton, con Carmel Myers, Ashton Dearholt, Frank Tokunaga,
1918: [02.25] The Rough Lover (Casa produtrice), Regia Joseph De Grasse, con Franklyn Farnum, Juanita Hansen, Catherine Henry,
1918: [02.11] Hands Down (Casa produtrice), Regia Rupert Julian, con Monroe Salisbury, W.H. Bainbridge, Ruth Clifford,
1918: [02.04] The Wife He Bought (Casa produtrice), Regia Harry Solter, con Carmel Myers, Kenneth Harlan, Howard Crampton,
1918: [02.04] Morgan's Raiders (Casa produtrice), Regia Wilfred Lucas, Bess Meredyth, con Violet Mersereau, , Edmund Burns,
1918: [02.01] The Grand Passion (Casa produtrice: (Originally announced as)), Regia Ida May Park, Joseph De Grasse, con Dorothy Phillips, Jack Mulhall, Lon Chaney,
1918: [01.28] The Fighting Grin (Casa produtrice), Regia Joseph De Grasse, con Franklyn Farnum, Edith Johnson, J. Morris Foster,
1918: [01.21] Broadway Love (Casa produtrice), Regia Ida May Park, con Dorothy Phillips, Juanita Hansen, William Stowell,
1918: [01.07] My Unmarried Wife (Casa produtrice), Regia George Siegmann, con Carmel Myers, Kenneth Harlan, Patrick Calhoun,
1918: [01.09] The Craving (Distributtore), Regia Francis Ford, con Francis Ford, , Peter Fitzgerald,
1917: [01.05] The Girl by the Roadside (Casa produtrice), Regia Theodore Marston, con Violet Mersereau, Cecil Owen, ,
1917: [12.30] Face Value (Casa produtrice), Regia Robert Z. Leonard, con Mae Murray, Clarissa Selwynne, Florence Carpenter,
1917: [12.24] The Scarlet Car (Casa produtrice), Regia Joseph De Grasse, con Franklyn Farnum, Edith Johnson, Lon Chaney,
1917: [12.17] My Little Boy (Casa produtrice), Regia Elsie Jane Wilson, con Ella Hall, Zoe Rae, Emory Johnson,
1917: [12.03] The Raggedy Queen (Casa produtrice), Regia Theodore Marston, con Violet Mersereau, Grace Barton, Donald Hall,
1917: [11.19] Cuor di Selvaggio (The Savage) (Casa produtrice: N° 100), Regia Rupert Julian, con Ruth Clifford, Colleen Moore, Monroe Salisbury,
1917: [11.18] The Door Between (Casa produtrice), Regia Rupert Julian, con Ruth Clifford, Monroe Salisbury, George A. McDaniel,
1917: [11.12] Princess Virtue (Casa produtrice: N° 99 (??)), Regia Robert Z. Leonard, con Mae Murray, Lule Warrenton, Wheeler Oakman,
1917: [11.11] The Winged Mystery (Casa produtrice), Regia Joseph De Grasse, con Franklyn Farnum, Claire du Brey, Rosemary Theby,
1917: [11.05] The Lash of Power (Casa produtrice: N° 98 (??)), Regia Harry Solter, con Kenneth Harlan, Carmel Myers, Helen Wright,
1917: [10.29] The Man Trap (Casa produtrice), Regia Elmer Clifton, con Herbert Rawlinson, Ruby Lafayette, Sally Starr,
1917: [10.22] The Desire of the Moth (Casa produtrice), Regia Rupert Julian, con Ruth Clifford, Monroe Salisbury, W.H. Bainbridge,
1917: [10.17] Bondage (Casa produtrice), Regia Ida May Park, con Dorothy Phillips, Gretchen Lederer, Gertrude Astor,
1917: [10.08] Anything Once (Casa produtrice), Regia Joseph De Grasse, con Franklyn Farnum, Eugene Owen, Raymond Wells,
1917: [10.01] The Spotted Lily (Casa produtrice), Regia Harry Solter, con Ella Hall, Jack Nelson, Charles Hill Mailes,
1917: [09.24] Flirting with Death (Casa produtrice), Regia Elmer Clifton, con Herbert Rawlinson, Agnes Vernon, Frank MacQuarrie,
1917: [09.17] The Mysterious Mr. Tiller (Casa produtrice), Regia Rupert Julian, con Ruth Clifford, Rupert Julian, Frank Brownlee,
1917: [09.10] A Stormy Knight (Casa produtrice), Regia Elmer Clifton, con Franklyn Farnum, Jean Hersholt, Agnes Vernon,
1917: [09.03] Triumph (Casa produtrice), Regia Joseph De Grasse, con Dorothy Phillips, Lon Chaney, William Stowell,
1917: [09.03] Mother o' Mine (Casa produtrice), Regia Rupert Julian, con Rupert Julian, Ruth Clifford, Ruby Lafayette,
1917: [08.27] The Charmer (Casa produtrice), Regia Jack Conway, con Ella Hall, Belle Bennett, Martha Mattox,
1917: [08.20] Mr. Opp (Casa produtrice), Regia Lynn Reynolds, con Arthur Hoyt, George Chesebro, George Hernandez,
1917: [08.13] The Show Down (Casa produtrice), Regia Lynn Reynolds, con Myrtle Gonzalez, George Hernandez, Arthur Hoyt,
1917: [08.06] The Clean-Up (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Agnes Vernon, Mark Fenton,
1917: [07.30] The Little Terror (Casa produtrice), Regia Rex Ingram, con Violet Mersereau, Sidney Mason, Ned Finley,
1917: [07.23] The Rescue (Casa produtrice), Regia Ida May Park, con Dorothy Phillips, William Stowell, Lon Chaney,
1917: [07.16] The Greater Law (Casa produtrice), Regia Lynn Reynolds, con Myrtle Gonzalez, Gretchen Lederer, Maude Emory,
1917: [07.09] The Car of Chance (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Agnes Vernon, Helen Wright,
1917: [07.02] Fires of Rebellion (Casa produtrice), Regia Ida May Park, con Dorothy Phillips, William Stowell, Lon Chaney,
1917: [06.25] A Kentucky Cinderella (Casa produtrice), Regia Rupert Julian, con Rupert Julian, Ruth Clifford, Harry Carter,
1917: [06.18] The Little Orphan (Casa produtrice), Regia Jack Conway, con Ella Hall, Jack Conway, Gertrude Astor,
1917: [06.17] Come through (Distributtore: (Bluebird Specials)), Regia Jack Conway, con Alice Lake, Jean Hathaway, Herbert Rawlinson,
1917: [06.11] A Doll's House (Casa produtrice), Regia Joseph De Grasse, con Dorothy Phillips, William Stowell, Lon Chaney,
1917: [06.04] Bringing Home Father (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Agnes Vernon, Florence Mayon,
1917: [05.28] Southern Justice (Casa produtrice), Regia Lynn Reynolds, con Myrtle Gonzalez, George Hernandez, Jack Curtis,
1917: [05.21] The Flashlight (Casa produtrice), Regia Ida May Park, con Dorothy Phillips, William Stowell, Lon Chaney,
1917: [05.14] Treason (Casa produtrice), Regia Allen Holubar, con Lois Wilson, Dorothy Davenport, Allen Holubar,
1917: [05.12] Little Miss Nobody (Casa produtrice), Regia Harry Millarde, con Violet Mersereau, Clara Beyers, Helen Lindroth,
1917: [04.30] The Clock (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Agnes Vernon, Frank Whitson,
1917: [04.23] The Girl in the Checkered Coat (Casa produtrice), Regia Joseph De Grasse, con Dorothy Phillips, William Stowell, Lon Chaney,
1917: [04.16] A Jewel in Pawn (Casa produtrice), Regia Jack Conway, con Ella Hall, Maie Hall, Antrim Short,
1917: [04.09] The Pulse of Life (Casa produtrice), Regia Rex Ingram, con , , Wedgwood Nowell,
1917: [04.02] Susan's Gentleman (Casa produtrice), Regia Edwin Stevens, con Violet Mersereau, Maud Cooling, James O'Neill,
1917: [04.01] Even As You and I (Distributtore: (Bluebird Specials)), Regia Lois Weber, con , Mignon Anderson, Bertram Grassby,
1917: [03.26] The Gift Girl (Casa produtrice), Regia Rupert Julian, con Louise Lovely, Emory Johnson, Rupert Julian,
1917: [03.19] Polly Redhead (Casa produtrice), Regia Jack Conway, con Ella Hall, Gertrude Astor, Charles Hill Mailes,
1917: [03.12] Mutiny (Casa produtrice), Regia Lynn Reynolds, con Myrtle Gonzalez, Jack Curtis, George Hernandez,
1917: [03.05] The Boy Girl (Casa produtrice), Regia Edwin Stevens, con Violet Mersereau, Sidney Mason, Caroline Harris,
1917: [03.05] Hell Morgan's Girl (Casa produtrice), Regia Joseph De Grasse, con Dorothy Phillips, William Stowell, Lon Chaney,
1917: [02.26] The Saintly Sinner (Casa produtrice), Regia Raymond Wells, con Ruth Stonehouse, Jack Mulhall, Alida Hayman,
1917: [02.19] The Man Who Took a Chance (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Agnes Vernon, Lloyd Whitlock,
1917: [02.12] The Reward of the Faithless (Casa produtrice), Regia Rex Ingram, con Claire du Brey, Wedgwood Nowell, Betty Schade,
1917: [02.05] The Mysterious Mrs. Musslewhite (Casa produtrice), Regia Lois Weber, con Harrison Ford, Mary MacLaren, Evelyn Selbie,
1917: [02.01] The War Waif (Casa produtrice), Regia Allen Holubar, con Allen Holubar, Zoe Rae, Irene Hunt,
1917: [01.29] The Devil's Pay Day (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Leah Baird, Gertrude Astor,
1917: [01.22] God's Crucible (Casa produtrice), Regia Lynn Reynolds, con George Hernandez, Val Paul, Fred Montague,
1917: [01.15] Her Soul's Inspiration (Casa produtrice), Regia Jack Conway, con Ella Hall, Marc Robbins, Dick Ryan,
1917: [01.08] The Piper's Price (Casa produtrice), Regia Joseph De Grasse, con Dorothy Phillips, Lon Chaney, Maude George,
1917: [01.01] Black Orchids (Casa produtrice), Regia Rex Ingram, con Cleo Madison, Francis McDonald, Wedgwood Nowell,
1916: [12.21] The Right to be Happy (Casa produtrice), Regia Rupert Julian, con Rupert Julian, , Claire McDowell,
1916: [12.18] The Honor of Mary Blake (Casa produtrice), Regia Edwin Stevens, con Violet Mersereau, Tina Marshall, James O'Neill,
1916: [12.11] The Price of Silence (Casa produtrice), Regia Joseph De Grasse, con Dorothy Phillips, Vola Vale, Jack Mulhall,
1916: [12.04] The Sign of the Poppy (Casa produtrice), Regia Charles Swickard, con Hobart Henley, Gertrude Selby, Mina Cunard,
1916: [12.04] The Eagle's Wings (Casa produtrice), Regia Robert Z. Leonard, Rufus Steele, con Grace Carlyle, Vola Vale, Herbert Rawlinson,
1916: [11.27] The Bugler of Algiers (Casa produtrice), Regia Rupert Julian, con Ella Hall, Kingsley Benedict, Rupert Julian,
1916: [11.20] The Measure of a Man (Casa produtrice), Regia Jack Conway, con J. Warren Kerrigan, Louise Lovely, Katherine Campbell,
1916: [11.13] A Stranger from Somewhere (Casa produtrice), Regia William Worthington, con Franklyn Farnum, Agnes Vernon, Claire McDowell,
1916: [11.06] Gloriana (Casa produtrice), Regia E. Mason Hopper, con Zoe Rae, Virginia Foltz, William Canfield,
1916: [10.30] The End of the Rainbow (Casa produtrice), Regia Jeanie Macpherson, Lynn Reynolds, con Myrtle Gonzalez, George Hernandez, Val Paul,
1916: [10.23] Love Never Dies (Casa produtrice), Regia William Worthington, con Dorothy Clark, Ruth Stonehouse, Maurice L. Kusell,
1916: [10.16] The Social Buccaneer (Casa produtrice), Regia Jack Conway, con J. Warren Kerrigan, Louise Lovely, Maude George,
1916: [10.09] The Chalice of Sorrow (Casa produtrice), Regia Rex Ingram, con Cleo Madison, Wedgwood Nowell, Charles Cummings,
1916: [10.02] Wanted: A Home (Casa produtrice), Regia Phillips Smalley, Lois Weber, con Mary MacLaren, Jack Mulhall, Charles Marriott,
1916: [09.26] The Evil Women Do (Casa produtrice), Regia Rupert Julian, con Elsie Jane Wilson, Francelia Billington, Rupert Julian,
1916: [09.18] Behind the Lines (Casa produtrice), Regia Henry MacRae, con Edith Johnson, Harry Carey, Ruth Clifford,
1916: [09.11] Saving the Family Name (Casa produtrice), Regia Lois Weber, Phillips Smalley, con Mary MacLaren, Gerard Alexander, Carl von Schiller,
1916: [09.10] The Whirlpool of Destiny (Casa produtrice: (announced as Bluebirdfeature until August 1916)), Regia Otis Turner, con Bertram Grassby, Flora Parker DeHaven, Nanine Wright,
1916: [09.04] The Unattainable (Casa produtrice), Regia Lloyd B. Carleton, con Dorothy Davenport, Emory Johnson, Mattie Witting,
1916: [08.28] The Girl of Lost Lake (Casa produtrice), Regia Lynn Reynolds, con Myrtle Gonzalez, Countess du Cello, Ruby Cox,
1916: [08.21] Little Eve Edgarton (Casa produtrice), Regia Robert Z. Leonard, con Ella Hall, Doris Pawn, Gretchen Lederer,
1916: [08.21] The Beckoning Trail (Casa produtrice: (?) announced as Bluebird production), Regia Jack Conway, con J. Warren Kerrigan, Maude George, Harry Carter,
1916: [08.14] Bettina Loved a Soldier (Casa produtrice), Regia Rupert Julian, con Louise Lovely, George Berrell, Rupert Julian,
1916: [08.07] Love's Lariat (Casa produtrice), Regia Harry Carey, George Marshall, con Harry Carey, Neal Hart, William Quinn,
1916: [08.07] The Mark of Cain (Casa produtrice: (?) - Announced as Bluebird Production), Regia Joseph De Grasse, con Lon Chaney, Dorothy Phillips, Frank Whitson,
1916: [07.31] The Secret of the Swamp (Casa produtrice), Regia Lynn Reynolds, con George Hernandez, Myrtle Gonzalez, Fred Church,
1916: [07.24] The Silent Battle (Casa produtrice), Regia Jack Conway, con J. Warren Kerrigan, Lois Wilson, Maude George,
1916: [07.17] The Grasp of Greed (Casa produtrice), Regia Joseph De Grasse, con C. Norman Hammond, Jay Belasco, Louise Lovely,
1916: [07.10] The Love Girl (Casa produtrice), Regia Robert Z. Leonard, con Ella Hall, Adele Farrington, Kingsley Benedict,
1916: [07.03] Broken Fetters (Casa produtrice), Regia Rex Ingram, con Violet Mersereau, Kittens Reichert, William Garwood,
1916: [06.26] Shoes (Casa produtrice), Regia Lois Weber, con Mary MacLaren, Harry Griffith, Mrs. Witting,
1916: [06.19] The Three Godfathers (Casa produtrice), Regia Edward LeSaint, con Harry Carey, George Berrell, Edward LeSaint,
1916: [06.12] Bobbie of the Ballet (Casa produtrice), Regia Joseph De Grasse, con Louise Lovely, Jay Belasco, Jean Hathaway,
1916: [06.08] Alias Jane Jones (Casa produtrice), Regia Cleo Madison, con Cleo Madison, William V. Mong, Ray Hanford,
1916: [06.05] The Eye of God (Casa produtrice), Regia Phillips Smalley, Lois Weber, con Tyrone Power, Ethel Weber, Lois Weber,
1916: [05.22] A Son of the Immortals (Casa produtrice), Regia Otis Turner, con J. Warren Kerrigan, Bertram Grassby, Lois Wilson,
1916: [05.10] Naked Hearts (Casa produtrice), Regia Rupert Julian, con Francelia Billington, Rupert Julian, Douglas Gerrard,
1916: [05.08] The Gilded Spider (Casa produtrice), Regia Joseph De Grasse, con Louise Lovely, Lon Chaney, Lule Warrenton,
1916: [05.01] Elusive Isabel (Casa produtrice), Regia Stuart Paton, con Florence Lawrence, Sidney Bracey, Harry F. Millarde,
1916: [05.01] The Crippled Hand (Casa produtrice), Regia Robert Z. Leonard, David Kirkland, con Robert Z. Leonard, Ella Hall, Marc Robbins,
1916: [04.24] The Gay Lord Waring (Casa produtrice), Regia Otis Turner, con J. Warren Kerrigan, Lois Wilson, Bertram Grassby,
1916: [04.17] The Great Problem (Casa produtrice), Regia Rex Ingram, con Violet Mersereau, Dan Hanlon, Lionel Adams,
1916: [04.10] John Needham's Double (Casa produtrice), Regia Phillips Smalley, Lois Weber, con Tyrone Power, Agnes Emerson, Frank Elliott,
1916: [04.03] The Dumb Girl of Portici (Casa produtrice: (--??--) (/xx/)), Regia Lois Weber, Phillips Smalley, con Anna Pavlova, Rupert Julian, Wadsworth Harris,
1916: [04.02] Tangled Hearts (Casa produtrice), Regia Joseph De Grasse, Lloyd B. Carleton, con Louise Lovely, Agnes Vernon, Lon Chaney,
1916: [03.26] The Flirt (Casa produtrice), Regia Phillips Smalley, Lois Weber, con Marie Walcamp, Grace Benham, Antrim Short,
1916: [03.19] The Yaqui (Casa produtrice), Regia Lloyd B. Carleton, con Hobart Bosworth, Goldie Colwell, Dorothy Clark,
1916: [03.12] The Strength of the Weak (Casa produtrice), Regia Lucius Henderson, con Mary Fuller, Edwards Davis, Harry Hilliard,
1916: [03.06] Rupert of Hentzau (Distributtore: (distributed as) (US release 6 March 1916)), Regia George Loane Tucker, con Henry Ainley, Jane Gail, Gerald Ames,
1916: [02.28] The Grip of Jealousy (Casa produtrice), Regia Joseph De Grasse, con Louise Lovely, Lon Chaney, Grace Thompson,
1916: [02.21] The Wrong Door (Casa produtrice), Regia Carter de Haven, con Carter de Haven, Flora Parker DeHaven, George A. Williams,
1916: [02.14] Hop - The Devil's Brew (Casa produtrice: (announced as)), Regia Phillips Smalley, Lois Weber, con Phillips Smalley, Mildred Harris, Lois Weber,
1916: [02.07] Undine (Casa produtrice), Regia Henry Otto, con Ida Schnall, Douglas Gerrard, Edna Maison,
1916: [01.31] Secret Love (Casa produtrice), Regia Robert Z. Leonard, con Jack Curtis, Helen Ware, Dixie Carr,
1915: [] Jeanne Doré (Distributtore), Regia René Hervil, Louis Mercanton, con Sarah Bernhardt, Raymond Bernard, Jeanne Costa,
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