Robert Liebmann

Author - Germany
Born June 5, 1890 in Berlin
Died July 1942 in KZ Auschwitz

Mini-Biography:
Robert Liebmann was born on June 5, 1890 in Berlin. He was a German Author, known for Liliom (1934), Autour d'une enquete (1931), Der blaue Engel (1930), Robert Liebmann's first movie on record is from 1919. Robert Liebmann died on July , 1942 in KZ Auschwitz. His last motion picture on file dates from 1938.

Robert Liebmann Filmography [Auszug]
1938: [] Carrefour (Scenario), Directed by Curtis Bernhardt, with Otto Wallburg,
1938: [] Les Lumières de Paris (Scenario), Directed by Richard Pottier,
1934: [/ /1] Liliom (Scenario), Directed by Fritz Lang, with Pierre Alcover, , Alexandre Rignault,
1934: [/ /1] Music in the Air (Musica nell'aria) (Scenario), Directed by Joe May, with John Boles, June Lang, Gloria Swanson,
1934: [] Caravan (Scenario), Directed by Erik Charell,
1933: [/ /1] Walzerkrieg (Scenario), Directed by Ludwig Berger, with Willy Fritsch, Karel Stepanek, Hugo Flink,
1933: [02/22] Ich und die Kaiserin (Scenario), Directed by Friedrich Hollaender, with Lilian Harvey, Conrad Veidt, Mady Christians,
1932: [/ /1] Ich bei Tag und Du bei Nacht (Scenario), Directed by Ludwig Berger, with Julius Falkenstein, Kurt Lilien, Ida Wüst,
1932: [/ /1] Mensch ohne Namen (Scenario), Directed by Gustav Ucicky, with Carl Balhaus, Hans Brausewetter, Max Gülstorff,
1932: [03.21] Der Sieger (Scenario), Directed by Hans Hinrich, Paul Martin, with Bruno Ziener, Adele Sandrock, Frida Richard,
1931: [12.23] Yorck (Scenario), Directed by Gustav Ucicky, with Otto Wallburg, Lutz Altschul, Veit Harlan,
1931: [01.22] Stürme der Leidenschaft (Tempest) (Scenario), Directed by Robert Siodmak, with Emil Jannings, Anna Sten, Trude Hesterberg,
1931: [11/31] Congress dances (Scenario), Directed by Erik Charell, with Lilian Harvey, Henri Garat, Gibb McLaughlin,
1931: [09/29] Der Kongress tanzt (Scenario), Directed by Erik Charell, with Lilian Harvey, Willy Fritsch, Otto Wallburg,
1931: [/ /1] Autour d'une enquete (Scenario), Directed by Robert Siodmak, with Charlotte Ander, Pierre Richard-Willm, Jean Périer,
1931: [03.04] Ihre Hoheit befiehlt (Scenario), Directed by Hanns Schwarz, with Käthe von Nagy, Willy Fritsch, Reinhold Schünzel,
1930: [12.16] Einbrecher (Scenario), Directed by Hanns Schwarz, with Willy Fritsch, Hilde Wörner, Oskar Sima,
1930: [02.21] Der unsterbliche Lump (Scenario), Directed by Joe May, Gustav Ucicky, with Rudolf Meinhard-Jünger, Paul Hörbiger, Paul Henckels,
1930: [10.07] Liebling der Götter (Scenario), Directed by Hanns Schwarz, with Max Gülstorff, Emil Jannings, Hans Moser,
1930: [] Love Waltz (Based on ), Directed by Wilhelm Thiele, Carl Winston, with Georg Alexander, John Batten, Lilian Harvey,
1930: [02.07] Liebeswalzer (Scenario), Directed by Wilhelm Thiele, with Georg Alexander, Willy Fritsch, Lilian Harvey,
1930: [01.04] Der blaue Engel (The blue Angel) (Scenario), Directed by Josef von Sternberg, with Marlene Dietrich, Emil Jannings, Hans Albers,
1929: [12.25] Wenn du einmal dein Herz verschenkst (Scenario), Directed by Johannes Guter, with Rudolf Biebrach, Valeria Blanka, Harry Halm,
1929: [08.15] Männer ohne Beruf (Scenario), Directed by Harry Piel, with Harry Piel, Bruno Ziener, Albert Paulig,
1929: [/ /1] Manolescu (Manolesco) (Scenario), Directed by Victor Tourjansky, with Heinrich George, Brigitte Helm, Dita Parlo,
1929: [] Der schwarze Domino (Scenario), Directed by Victor Janson, Walter Reisch, with Vera Schmiterlöw, Ernst Verebes,
1929: [] Menschen im Feuer (Scenario), Directed by Harry Piel,
1929: [03.15] Die Mitternachtstaxe (Das Mitternachts-Taxi, Midnight Taxi) (Scenario), Directed by Harry Piel, with Harry Piel, Betty Bird, Philipp Manning,
1928: [01.19] Ihr dunkler Punkt (Scenario), Directed by Johannes Guter, with Sig Arno, Hermann Speelmans, Karl Platen,
1928: [11.16] Die blaue Maus (Scenario), Directed by Johannes Guter, with Brita Appelgren, Albert Paulig, Rina Marsa,
1928: [/ /1] Looping the loop (Scenario), Directed by Arthur Robison, with Jenny Jugo, Werner Krauss, Gina Manès,
1928: [/ /1] Geheimnisse des Orients (Secrets of the Orient) (Scenario), Directed by Aleksandr Volkov, with Marcella Albani, Julius Falkenstein, Nikolai Kolin,
1928: [] Mann gegen Mann (Scenario), Directed by Harry Piel, with Harry Piel, Dary Holm, Hertha von Walther,
1928: [] Seine stärkste Waffe (Scenario), Directed by Harry Piel, with Vera Schmiterlöw,
1928: [] Moral (Scenario), Directed by Willi Wolff, with Ferdinand von Alten, Julius E. Herrmann, Karl Harbacher,
1928: [11.23] Der Raub der Sabinerinnen (Scenario), Directed by Robert Land, with Ralph Arthur Roberts, Wolfgang Zilzer, Aribert Wäscher,
1928: [08.01] Zwei rote Rosen (Scenario), Directed by Robert Land, with Oreste Bilancia, Teddy Bill, Liane Haid,
1927: [02.08] Du sollst nicht stehlen (Nur eine kleine Diebing (Working title)) (Scenario), Directed by Victor Janson, with Werner Fuetterer, Dina Gralla, Lilian Harvey,
1927: [12.13] Eheferien (Scenario), Directed by Victor Janson, with Harry Halm, Lilian Harvey, Jutta Jol,
1927: [11.22] Die raffinierteste Frau Berlins (The cleverest Woman in Berlin) (Scenario), Directed by Franz Osten, with Luigi Serventi, , Mary Johnson,
1927: [09.07] Der Fürst von Pappenheim (The Masked Mannequin) (Scenario), Directed by Richard Eichberg, with Curt Bois, Werner Fuetterer, Dina Gralla,
1927: [09.05] Der Meister von Nürnberg (Scenario), Directed by Ludwig Berger, with Gustav Fröhlich, Hans Wassmann, Adele Sandrock,
1927: [/ /1] Revolutionsbryllup (Scenario), Directed by A.W. Sandberg, with Karina Bell, Gösta Ekman, Diomira Jacobini,
1927: [/ /1] Die schönsten Beine von Berlin (Scenario), Directed by Willi Wolff, with Dina Gralla, Bruno Kastner, Ellen Richter,
1927: [/ /1] Die Dame mit dem Tigerfell (Carnival Crime) (Scenario), Directed by Willi Wolff, with Evi Eva, Bruno Kastner, Mary Kid,
1927: [/ /1] Im Luxuszug (Scenario), Directed by Erich Schönfelder, with Adele Sandrock, Dina Gralla, Ernst Verebes,
1927: [] Die raffiniertest Frau Berlins (Scenario), Directed by Franz Osten,
1927: [] Charlott etwas verrückt (Scenario), Directed by Adolf Edgar Licho,
1926: [10.07] Der Feldherrenhügel (Scenario), Directed by Hans Otto Löwenstein, Erich Schönfelder, with Elga Brink, Mizzi Zwerenz, Géza L. Weisz,
1926: [09.02] Die Boxerbraut (Scenario), Directed by Johannes Guter, with Harry Lamberts-Paulsen, Teddy Bill, Louis Brody,
1926: [/ /1] Der Ritt in die Sonne (Scenario: Künstlerischer Beirat), Directed by Georg Jacoby, with Hugo Werner-Kahle,
1926: [/ /1] Wie einst im Mai (Scenario), Directed by Willi Wolff, with ,
1926: [] Die drei Uhren (Scenario), Directed by Lothar Mendes, with Nils Asther, Lilian Hall-Davis, ,
1926: [] Der Juxbaron (Scenario), Directed by Willi Wolff, with Julia Serda, Hermann Picha, Albert Paulig,
1926: [] Kopf hoch, Charly (Scenario), Directed by Willi Wolff,
1926: [] Meine Tante - Deine Tante (Scenario), Directed by Carl Froelich, with Ralph Arthur Roberts,
1926: [04.16] Die Fahrt ins Abenteuer (Scenario), Directed by Max Mack, with Adolphe Engers, Agnes Esterhazy, Willy Fritsch,
1925: [01.29] Die tolle Herzogin (Scenario), Directed by Willi Wolff, with Henry Bender, Louis Brody, Evi Eva,
1925: [02.19] Herrn Filip Collins Abenteuer (Scenario), Directed by Johannes Guter, with Georg Alexander, Ossi Oswalda, Elisabeth Pinajeff,
1925: [11.05] Liebesgeschichten (Scenario), Directed by Fritz Freisler, with Olga Tschechowa, , Hans Thimig,
1925: [10.09] Soll man heiraten ? (Scenario), Directed by Manfred Noa, with Vilma Banky, Angelo Ferrari, Max Landa,
1925: [11.05] Liebesgeschichten / Mädels von heute (Scenario), Directed by Fritz Freisler, with Minna Jaida, Karl Platen, Claire Rommer,
1925: [10.02] Liebe macht blind (Love Makes Us Blind) (Scenario), Directed by Lothar Mendes, with Lil Dagover, Conrad Veidt, Georg Alexander,
1925: [/ /1] Der Flug um den Erdball (Scenario), Directed by Willi Wolff, with Hans Brausewetter, Bruno Kastner, Cläry Lotto,
1925: [] Das Abenteuer der Sibylle Brant (Scenario), Directed by Carl Froelich, with Henny Porten, Maria Forescu, Memo Benassi,
1925: [] Schatten der Weltstadt (Scenario), Directed by Willi Wolff, with Harry Lamberts-Paulsen,
1925: [05.06] Blitzzug der Liebe (Scenario), Directed by Johannes Guter, with Ossi Oswalda, Willy Fritsch, Lillian Hall-Davies,
1925: [04.21] Husarenfieber (Scenario: Künstlerischer Beirat), Directed by Georg Jacoby, with Hans Wassmann, Hans Mierendorff, Edith Meller,
1924: [12.22] Das schöne Abenteuer (The Lady from Paris) (Scenario), Directed by Manfred Noa, with Hans Albers, Georg Alexander, Vilma Banky,
1924: [02.27] Der Hochstapler wider Willen Doppelgänger des Herrn Schnepfe (Scenario), Directed by Géza von Bolváry, with Ellen Kürty, Vladimir Gajdarov, Olga Gzovskaja,
1924: [/ /1] Ein Walzertraum (Scenario), Directed by Ludwig Berger, with Karl Beckersachs, , Lydia Potechina,
1924: [/ /1] Kammermusik (Scenario), Directed by Carl Froelich, with Ida Wüst,
1924: [] Mutter und Kind (Scenario), Directed by Carl Froelich, with Hugo Landsberger, Erna Morena, Henny Porten,
1924: [] Claire (Scenario), Directed by Robert Dinesen, with Theodor Loos,
1924: [] Niniche (Scenario), Directed by Victor Janson, with Ossi Oswalda, Victor Janson, Livio Cesare Pavanelli,
1923: [/ /1] Die Fledermaus (Scenario), Directed by Max Mack, with Lya de Putti, Paul Heidemann, Hans Junkermann,
1922: [11.29] So sind die Männer (Scenario), Directed by Georg Jacoby, with Loni Pyrmont, Kurt Fuss, Paul Biensfeldt,
1922: [03.09] Die drei Marien und der Herr von Marana (Scenario), Directed by Reinhold Schünzel, with Reinhold Schünzel, Olga Belajeff, Anita Berber,
1922: [/ /1] Das Geld auf der Strasse (Scenario), Directed by Reinhold Schünzel, with Heinrich Eisenbach, Eugen Klöpfer, Reinhold Schünzel,
1922: [/ /1] Der Pantoffelheld (Scenario), Directed by Reinhold Schünzel, with Liane Haid, Paul Hartmann,
1922: [] Man soll es nicht für möglich halten oder Maciste und die Javanerin (Scenario), Directed by Uwe Jens Krafft, with Bartolomeo Pagano, Carola Toelle, Paul Otto,
1921: [/ /1] Der Roman eines Dienstmädchens (Scenario), Directed by Reinhold Schünzel, with Erika Glässner, Liane Haid, Arnold Korff,
1921: [] Seine Exzellenz von Madagaskar (Scenario), Directed by Georg Jacoby, with Georg Alexander, Johanna Ewald, Julius Falkenstein,
1921: [] Das Mädel mit der Maske (Scenario), Directed by Victor Janson, with Ossi Oswalda, Paul Biensfeldt, Hermann Thimig,
1921: [] Hapura, die tote Stadt (Scenario), Directed by Heinz-Karl Heiland,
1921: [03/11] Der Mann ohne Namen (Scenario), Directed by Georg Jacoby, with Harry Liedtke, Georg Alexander, Mady Christians,
1921: [02.25] Die Jagd nach dem Tode - 4. Teil: Die Goldmine von Sar-Khin (Scenario), Directed by Karl Gerhardt, with Nils Chrisander, Robert Scholz, Kurt Brenkendorf,
1921: [02.18] Die Jagd nach dem Tode - 3. Teil: Der Mann im Dunkel (Scenario), Directed by Karl Gerhardt, with Nils Chrisander, Robert Scholz, Kurt Brenkendorf,
1920: [12/21] Der Graf von Cagliostro (Scenario), Directed by Reinhold Schünzel, with Reinhold Schünzel, Anita Berber, Conrad Veidt,
1920: [02.14] Die letzte Stunde - Der Tag eines Gerichtes in 5 Verhandlungen (Scenario), Directed by Dimitri Buchowetzki, with Reinhold Schünzel, Maria Orska, Hanne Brinkmann,
1920: [11.06] Eines grossen Mannes Liebe (Scenario), Directed by Felix Basch, Rudolf Biebrach, with Lotte Neumann, Harry Nestor, Lina Lossen,
1920: [08.00] Die Glücksfalle (Scenario), Directed by Arthur Wellin, with Lotte Neumann, Karl Beckersachs, Oscar Marion,
1920: [////] Künstlerlaunen (Temperamental Artist) (Scenario), Directed by Paul Otto, with Gertrud Arnold, Aud Egede-Nissen, Conrad Veidt,
1920: [] Die Frau ohne Seele (Scenario), Directed by Leo Lasko, with Werner Krauss, Edith Meller, Alfred Abel,
1920: [] Der Hund von Baskerville - 5 Teil: Dr. Macdonalds Sanatorium (Scenario), Directed by Willy Zeyn, with Erich Kaiser-Titz,
1920: [] Susanne Stranzky (Scenario), Directed by Otto Rippert,
1920: [04.00] Indische Rache (Scenario), Directed by Leo Lasko, with Edith Meller, Mabel May-Yong, Harry Liedtke,
1920: [/ /1] Va banque. Der Mut zum Glück (Scenario), Directed by Leo Lasko, with Charles Willy Kaiser, Fritz Kortner, Meinhardt Maur,
1919: [10.08] Der Siebente Tag (Scenario), Directed by Ernst Stahl-Nachbaur, with Carola Toelle, Adele Sandrock, Paul Mederow,
1919: [09.06] Die Arche (Scenario), Directed by Richard Oswald, with Oevid Molander, Emil Lund, Eugen Klöpfer,
1919: [10.??] Die letzten Menschen (Scenario), Directed by Richard Oswald, with Kissa von Sievers, Max Gülstorff, Emil Lind,
1919: [11.05] Unheimliche Geschichten (Eerie Tales) (Based on : Die Hand), Directed by Richard Oswald, with Anita Berber, Conrad Veidt, Reinhold Schünzel,
1919: [] Die Pflicht zu leben (Scenario), Directed by Carl Wilhelm, with Magnus Stifter, Hanne Brinkmann, Gustav Adolf Semler,
1919: [07/00] Die sich verkaufen (Scenario), Directed by Richard Oswald, with Conrad Veidt, Reinhold Schünzel, Gertrud Hoffmann,

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Filmography Robert Liebmann nach Kategorien

Drehbuch Vorlage

Robert Liebmann in other Database records: German Early Cinema

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