Mini-Biography:
The day of birth of Georg Muschner is not on record. He is a German Director of Photography, known for Flachsmann als Erzieher (1930), Die Csikosbaroness (1930), Unus, der Weg in die Welt (1921), Georg Muschner's first movie on record is from 1919. His last motion picture on file dates from 1937.
FilmographyFilmography [Auszug]
1937: Der glückliche Finder (Director of Photography), Directed by Jürgen von Alten, with , Herta Worell, Robert Dorsay,
1931: Die Schlacht von Bademünde (Director of Photography), Directed by Philipp Lothar Mayring, with Max Adalbert, Fritz Alberti, Gerhard Bienert,
1930: Die Warschauer Zitadelle (Director of Photography), Directed by Jakob Fleck, with Adam Brodzisz, Harry Hardt, Ferdinand Hart,
1930: Flachsmann als Erzieher (Director of Photography), Directed by Carl Heinz Wolff, with Charlotte Ander, Alfred Braun, Carl de Vogt,
1930: Pension Schöller (Director of Photography), Directed by Georg Jacoby, with Elga Brink, Paul Henckels, Jakob Tiedtke,
1930: Die Csikosbaroness (Director of Photography), Directed by Jakob Fleck, Luise Kolm, with Ernst Behmer, Emil Byron, Julius Falkenstein,
1928: Frauenarzt Dr. Schäfer (Director of Photography), Directed by Jakob Fleck, Luise Kolm, with Ivan Petrovich, Hans Albers, Evelyn Holt,
1927: Das Mädchen ohne Heimat (Director of Photography), Directed by Constantin J. David, with Jenny Hasselqvist, , Oskar Homolka,
1926: Was ist los im Zirkus Beely ? (Director of Photography), Directed by Harry Piel, with Vera Schmiterlöw, Harry Piel, ,
1925: Der Trödler von Amsterdam (Director of Photography), Directed by Victor Janson, with Alf Blütecher, Harry Hardt, Hilde Hildebrand,
1924: Auf Befehl der Pompadour (Director of Photography), Directed by Friedrich Zelnik, with Hans Albers, Ernst Behmer, Harry Berber,
1924: Marie d'Amour und ihre Liebhaber (Director of Photography), Directed by Kurt Brenken, with Hans Junkermann, Hanni Weisse, Karl Falkenberg,
1924: Judith (Director of Photography), Directed by Theo Frenkel-Bouwmeester, with , , Claire Rommer,
1924: Menschen und Masken. 1. Der falsche Emir (Director of Photography), Directed by Harry Piel, with Harry Piel, Claire Rommer, Fred Immler,
1924: Menschen und Masken, 2. Teil - Ein gefährliches Spiel (Director of Photography), Directed by Harry Piel, with Harry Piel, Hermann Leffler, Claire Rommer,
1923: Frauenmoral (Women's Morals) (Director of Photography), Directed by Theo Frenkel-Bouwmeester, with Olga Engl, , ,
1921: Unus, der Weg in die Welt (Director of Photography), Directed by Harry Piel, with Harry Piel, Sascha Gura, Charly Berger,
1921: Der Fürst der Berge (Director of Photography), Directed by Harry Piel, with Sascha Gura, Harry Piel, ,
1919: Über den Wolken (Director of Photography), Directed by Harry Piel, with Harry Piel, Erna Pabst, ,
1919: Der Verächter des Todes (Director of Photography), Directed by Harry Piel, with Harry Piel, Margot Thisset, Adolf Wenter,
1919: Der Klabautermann (Director of Photography), Directed by Arthur Kiekebusch, with Grete Weixler, Preben Rist, Rudolf Klein-Rohden,