Ufa

Ufa

No Photo of  Ufa
AKA Universum-Film AG (UFA), Berlin -
Borndate unknown

Mini-Biography:
The day of birth of Ufa is not on record. AKA Universum-Film AG (UFA), Berlin, known for Unternehmen Michael (1937), Königswalzer (1935), Abschied (1930), Ufa's first movie on record is from 1928. His last motion picture on file dates from 1941.

FilmographyFilmography [Auszug]
1941: Der Laufende Berg (Production), Directed by Hans Deppe, with Maria Andergast, Hans Benedikt, Beppo Brem,
1941: ... reitet für Deutschland (Production), Directed by Arthur Maria Rabenalt, with Willy Birgel, Herbert A.E. Böhme, Paul Dahlke,
1941: Ich bin gleich wieder da (Production), Directed by Peter Paul Brauer, with Ursula Grabley, Paul Klinger, Hermann Pfeiffer,
1940: Das Herz einer Königin (Das Herz der Königin) (Production), Directed by Carl Froelich, with Federico Benfer, Willy Birgel, Bruno Decarli,
1940: Zwielicht (Production), Directed by Rudolf van der Noss, with Wilhelm Althaus, Bob Bolander, Otto Braml,
1939: Kongo-Express (Congo-Express) (Production), Directed by Eduard von Borsody, with Marianne Hoppe, Willy Birgel, René Deltgen,
1939: Fräulein (Production), Directed by Erich Waschneck, with Roma Bahn, Erik Frey, Mady Rahl,
1939: Hotel Sacher (Production), Directed by Erich Engel, with Wolf Albach-Retty, Willy Birgel, Hedwig Bleibtreu,
1938: Frauen für Golden Hill (Production), Directed by Erich Waschneck, with Otto Gebühr, Kirsten Heiberg, Karl Martell,
1938: Der Blaufuchs (Production), Directed by Victor Tourjansky, with Zarah Leander, Willy Birgel, Paul Hörbiger,
1938: Nanon (Production), Directed by Herbert Maisch, with Alice Hechy, Dagny Servaes, Otto Gebühr,
1938: Am seidenen Faden (Production), Directed by Robert A. Stemmle, with Ina Albrecht, Erich Bartels, Paul Bildt,
1938: Verklungene Melodie (Production), Directed by Victor Tourjansky, with Boris Alekin, Willy Birgel, Hans Brausewetter,
1937: Das Geheimnis um Betty Bonn (Production), Directed by Robert A. Stemmle, with Maria Andergast, Louis Brody, Theodor Loos,
1937: La Habanera (Production), Directed by Douglas Sirk, with Zarah Leander, Rosita Alcaraz, Boris Alekin,
1937: Gewitterflug zu Claudia (Production), Directed by Erich Waschneck, with Rudolf Klix, Gerhard Bienert, Jutta Freybe,
1937: Unternehmen Michael (Production), Directed by Karl Ritter, with Willy Birgel, Heinrich George, Paul Otto,
1937: Zu neuen Ufern (Production), Directed by Douglas Sirk, with Zarah Leander, Boris Alekin, Ekkehard Arendt,
1937: Der Mann, der Sherlock Holmes war (Production), Directed by Karl Hartl, with Hans Albers, Marieluise Claudius, Hansi Knoteck,
1936: Das schöne Fräulein Schragg (Production), Directed by Hans Deppe, with Otto Gebühr, Paul Klinger, Hansi Knoteck,
1936: Menschen ohne Vaterland (Production), Directed by Herbert Maisch, with Lissy Arna, Willy Birgel, Willy Fritsch,
1936: Ritt in die Freiheit (Production), Directed by Karl Hartl, with Willy Birgel, Hansi Knoteck, Rudolf Schündler,
1936: Verräter (Production), Directed by Karl Ritter, with Lída Baarová, Willy Birgel, Herbert Bühme,
1936: Schlussakkord (The Ninth Symphony, The Final Chord) (Production), Directed by Douglas Sirk, with Carl Auen, Erich Bartels, Johannes Bergfeldt,
1935: Der höhere Befehl (Production), Directed by Gerhard Lamprecht, with Lil Dagover, Karl Dannemann, Gertrud de Lalsky,
1935: Stützen der Gesellschaft (Production), Directed by Douglas Sirk, with Louis Brody, Heinrich George, Maria Krahn,
1935: Einer zuviel an Bord (Production), Directed by Gerhard Lamprecht, with Lída Baarová, Willy Birgel, René Deltgen,
1935: Königswalzer (Café Tomasoni) (Production), Directed by Herbert Maisch, with Theodor Danegger, Heli Finkenzeller, Willi Forst,
1935: Amphytrion (Production), Directed by Reinhold Schünzel, with Fita Benkhoff, Willy Fritsch, Käthe Gold,
1935: April, April (Production), Directed by Douglas Sirk, with Ilse Petri, Lina Carstens, Charlott Daudert,
1935: Mädchen Johanna (Production), Directed by Gustav Ucicky, with Paul Bildt, Willy Birgel, Paul Dahlke,
1935: Barcarole (Production), Directed by Gerhard Lamprecht, with Lída Baarová, Willy Birgel, Gustav Fröhlich,
1935: Punks kommt aus Amerika (Ein Mann mit Tempo) (Production), Directed by Karl Heinz Martin, Robert Neppach, with Georges Boulanger, Louis Brody, Lien Deyers,
1934: Fürst Woronzeff (Production), Directed by Arthur Robison, with Willy Birgel, Brigitte Helm, Hansi Knoteck,
1934: Ein Mann will nach Deutschland (Production), Directed by Paul Wegener, with Willy Birgel, Karl Ludwig Diehl, Brigitte Horney,
1934: Einmal eine grosse Dame sein (Production), Directed by Gerhard Lamprecht, with Wolf Albach-Retty, Werner Fuetterer, Carola Höhn,
1934: Die Czardasfürstin (Production), Directed by Georg Jacoby, with Charlott Daudert, Mártha Eggerth, Ilse Fürstenberg,
1934: Gold (Production), Directed by Karl Hartl, with Hans Albers, Ernst Behmer, Fita Benkhoff,
1933: Ein gewisser Herr Gran (Production), Directed by Gerhard Lamprecht, with Hans Albers, Albert Bassermann, Hans Joachim Büttner,
1933: Die Heimkehr des Odysseus (Production), Directed by Erik Charell,
1933: Mademoiselle Docteur (unrealized project) (Madam Doctor) (Production), Directed by Georg Wilhelm Pabst, Frank Wysbar, with Leni Riefenstahl,
1933: Die Lachenden Erben (Production), Directed by Max Ophüls, with Max Adalbert, Lien Deyers, Erich Ettel,
1932: F.P. 1 antwortet nicht (Production), Directed by Karl Hartl, with Hans Albers, Sybille Schmitz, Paul Hartmann,
1932: Stupéfiants (Production), Directed by Kurt Gerron, with Louis Brody, Peter Lorre, Jean Mercanton,
1932: Der weisse Dämon (Production), Directed by Kurt Gerron, with Alfred Abel, Hans Albers, Raoul Aslan,
1932: Strich durch die Rechnung (Production), Directed by Alfred Zeisler, with Harry Hardt, Fritz Kampers, Margarete Kupfer,
1932: Ein toller Einfall (Production), Directed by Kurt Gerron, with Rosi Barsony, Max Adalbert, Willy Fritsch,
1932: Goethe - Film der UFA (Production), Directed by Fritz Wendhausen, with Theodor Loos, , Dagny Servaes,
1932: Der Sieger (Production), Directed by Hans Hinrich, Paul Martin, with Hans Albers, Alfred Beierle, Hans Brausewetter,
1932: Es wird schon wieder besser (Production), Directed by Kurt Gerron, with Gerhard Bienert, Hugo Flink, Viktor Franz,
1931: Der Hochtourist (Production), Directed by Alfred Zeisler, with Erika Glässner, Maria Solveg, Wolfgang Zilzer,
1931: Meine Frau, die Hochstaplerin (Production), Directed by Kurt Gerron, Käthe von Nagy, with Käthe von Nagy, Heinz Rühmann, Fritz Grünbaum,
1930: Die blonde Nachtigall (Production), Directed by Johann Meyer, with Ernst Behmer, Wilhelm Bendow, Siegfried Berisch,
1930: Der Tiger (Production), Directed by Johann Meyer, with Ernst Behmer, Alfred Beierle, Trude Berliner,
1930: Der unsterbliche Lump (Production), Directed by Joe May, Gustav Ucicky, with Ernst Behmer, Julius Falkenstein, Gustav Fröhlich,
1930: Das Flötenkonzert von Sanssouci (Production), Directed by Gustav Ucicky, with Raoul Aslan, Alfred Beierle, Paul Biensfeldt,
1930: Der Schuss im Tonfilmatelier (Production), Directed by Alfred Zeisler, with Gerda Maurus, Harry Frank, Ernst Stahl-Nachbaur,
1930: Abschied (Production), Directed by Robert Siodmak, with Erwin Bootz, Gisela Draeger, Frank Günther,
1930: Alraune (La figlia del male) (Production), Directed by Richard Oswald, with Albert Bassermann, Henry Bender, Bernhard Goetzke,
1930: Am Rande der Sahara (Production), Directed by Rudolf Biebrach, Martin Rikli, with Ali Benedikt, Rudolf Biebrach, Edwin Hambro Danchell,
1930: Das gestohlene Gesicht (Production), Directed by Philipp Lothar Mayring, Erich Schmidt, with Max Adalbert, Hermann Blass, Frigga Braut,
1930: Dann schon lieber Lebertran (Production), Directed by Max Ophüls, with Heinz Günsdorf, Käte Haack, Paul Kemp,
1930: Der weisse Teufel (Hadschi Murat, The white devil) (Production), Directed by Aleksandr Volkov, with Fritz Alberti, Betty Amann, Henry Bender,
1930: Der blaue Engel (The blue Angel) (Production), Directed by Josef von Sternberg, with Marlene Dietrich, Emil Jannings, Hans Albers,
1929: Der Sträfling aus Stanbul (Production), Directed by Gustav Ucicky, with Betty Amann, Arthur Wellin, Heinrich George,
1929: Asphalt (Production), Directed by Joe May, with Hans Albers, Betty Amann, Arthur Duarte,
1929: Flucht vor der Liebe (Production), Directed by Hans Behrendt, with Federico Benfer, Paul Heidemann, Jenny Jugo,
1929: Die wunderbare Lüge der Nina Petrowna (Production), Directed by Hanns Schwarz, with Ekkehard Arendt, Fernand Gravey, Harry Hardt,
1928: Die blaue Maus (Production), Directed by Johannes Guter, with Brita Appelgren, Ernst Behmer, Max Ehrlich,
1928: Geheimnisse des Orients (Secrets of the Orient) (Production), Directed by Aleksandr Volkov, with Marcella Albani, Julius Falkenstein, Nikolai Kolin,
1928: Der Kampf des Donald Westhof (The Trial of Donald Westhof) (Production), Directed by Fritz Wendhausen, with Karin Evans, Paul Henckels, Oskar Homolka,
1928: Überfall (Production), Directed by Ernö Metzner, with Heinrich Gotho, Alexander Granach, Alfred Loretto,
1928: Die Carmen von St. Pauli (Docks of Hamburg) (Production), Directed by Erich Waschneck, with Jenny Jugo, Willy Fritsch, Fritz Rasp,

Disclaimer
The information above does not purport to be exhaustive, but give the level of information to our database at the time of last update. All figures are best knowledge and belief researched to, legal claims arising from incorrect or missing information are expressly rejected.
Due to the current law in some countries can be held responsible person who addresses refers to having a criminal content spread may or criminal content and pages further refer, unless he closes clear from such liability. Our links below are researched to the best of my knowledge and belief, but we can not accept in any way for the content of these web pages and links from us any liability. We provide this explanation by analogy from all countries and all languages of. Quotations, if not otherwise marked, in the usual right to quote with identification of the sources added.
The copyright lies with the authors of these quotes - Ufa - KinoTV
Ufa - KinoTV updated Sun 07. Apr. 2019