Mini-Biography:
Eduard Hoesch was born on March 15, 1890 in Wien. He was an Austrian Director of Photography, Director, Production Manager, known for Der müde Theodor (1936), Der Jüngling aus der Konfektion (1926), Der Mann, dem man den Namen stahl (1944), Eduard Hoesch's first movie on record is from 1919. Eduard Hoesch died on November 5, 1983 in Wien. His last motion picture on file dates from 1946.

FilmographyFilmography [Auszug]
1946: Der weite Weg (Director), with Maria Andergast, Willy Danek, Hans Holt,
1945: Peter Voss, der Millionendieb (Director of Photography), Directed by Karl Anton, with Gustav Bertram, Erwin Biegel, Louis Brody,
1944: Der Mann, dem man den Namen stahl (Director of Photography), Directed by Wolfgang Staudte, with Ursula Krieg, Ernst Legal, Ruth Lommel,
1944: Der grosse Preis (Director of Photography), Directed by Karel Anton, with Gustav Fröhlich, Carola Höhn, O.E. Hasse,
1943: Die Hochstaplerin (Director of Photography), Directed by Karl Anton, with Karl Ludwig Diehl, Will Dohm, Erich Fiedler,
1943: Kollege kommt gleich! (Director of Photography), Directed by Karl Anton, with Gretl Schörg, Carola Höhn, Albert Matterstock,
1941: Oh, diese Männer (Director of Photography), Directed by Hubert Marischka, with Johannes Riemann, Paul Hörbiger, Jane Tilden,
1939: Das Glück wohnt nebenan (Director of Photography), Directed by Hubert Marischka, with Wolf Albach-Retty, Maria Andergast, Hilde Hildebrand,
1937: Der Mann, von dem man spricht (Director of Photography), Directed by E.W. Emo, with Gerhard Bienert, Reinhold Haeussermann, Gusti Huber,
1936: Der müde Theodor (Eine tolle Nacht (Working title)) (Director of Photography), Directed by Veit Harlan, with Erich Bartels, Gertrud Boll, Paul Ceblin,
1935: Eva (Director of Photography), Directed by Johannes Riemann, with Fritz Imhoff, Ferdinand Mayerhofer, Hans Moser,
1935: Der Kosak und die Nachtigall (Director of Photography), Directed by Phil Jutzi, with Rudolf Carl, Erich Fiedler, Herbert Hübner,
1933: Ein gewisser Herr Gran (Director of Photography), Directed by Gerhard Lamprecht, with Hans Albers, Albert Bassermann, Hans Joachim Büttner,
1933: Die Lachenden Erben (Director of Photography), Directed by Max Ophüls, with Max Adalbert, Lien Deyers, Erich Ettel,
1932: Le triangle de feu (Director of Photography), Directed by Edmond T. Gréville, Johannes Guter, with Jean Angelo, André Roanne, Elisabeth Pinajeff,
1932: Ja, treu ist die Soldatenliebe (A Soldier's Love Is True Indeed) (Director of Photography), Directed by Georg Jacoby, with Fritz Schulz, Jakob Tiedtke, Ida Wüst,
1930: Komm' zu mir zum Rendezvous (Director of Photography), Directed by Carl Boese, with Lucie Englisch, Alexa Engström, Margarete Kupfer,
1930: Das Kabinett des Dr. Larifari (Director of Photography), Directed by Robert Wohlmuth, with Henny Berg, Gerhard Dammann, Max Hansen,
1930: Ein Mädel von der Reeperbahn (People in the Storm) (Director of Photography), Directed by Karl Anton, with Trude Berliner, André Pilot, Josef Rovenský,
1930: Tonka sibenice (Tonka of the Gallows, Gallows Toni) (Director of Photography), Directed by Karel Anton, with Ita Rina, Vera Baranovskaja, John Mylong,
1929: Frühlingserwachen (Director of Photography), Directed by Richard Oswald, with Carl Balhaus, Bernhard Goetzke, Peter Lorre,
1929: Der Leutnant Ihrer Majestät (Director of Photography), Directed by Jakob Fleck, Luise Kolm, with Agnes Esterhazy, Ferdinand Hart, Alexander Murski,
1929: Spiel um den Mann (Director of Photography), Directed by Robert Land, with Eugen Burg, Anna Calina, Erich Dunskus,
1928: Quartier Latin (Latin Quarter) (Director of Photography), Directed by Augusto Genina, with Carmen Boni, Ivan Petrovich, Gina Manès,
1928: Die Wochenendbraut (Director of Photography), Directed by Georg Jacoby, with Elga Brink, Werner Fuetterer, Paul Hörbiger,
1928: Die kleine Sklavin (The Poor Slave) (Director of Photography), Directed by Jakob Fleck, Luise Kolm, with Grete Mosheim, Fred Louis Lerch, Fritz Richard,
1928: Number 17 (Number seventeen) (Director of Photography), Directed by Géza von Bolváry, with Carl de Vogt, Lien Deyers, Fritz Greiner,
1928: Der fesche Husar (Oberleutnant Noszty) (Director of Photography), Directed by Géza von Bolváry, with Fritz Alberti, Hilde Hildebrand, Evelyn Holt,
1928: Dyckerpotts Erben (Director of Photography), Directed by Hans Behrendt, with Alfred Solm, Georg Alexander, Paul Westermeier,
1927: Liebelei (Director of Photography), Directed by Jakob Fleck, with Jaro Fuerth, Evelyn Holt, Fred Louis Lerch,
1927: Der Orlow (Director of Photography), Directed by Jakob Fleck, Luise Kolm, with Georg Alexander, Ernst Behmer, Evi Eva,
1926: Der Jüngling aus der Konfektion (Director of Photography), Directed by Richard Löwenbein, with Curt Bois, Robert Garrison, Margarete Lanner,
1925: Die Brandstifter Europas. Oberst Redls Erben (Director of Photography), Directed by Max Neufeld, with Max Neufeld, Eugen Neufeld, ,
1925: Der Walzer von Strauß (Director of Photography), Directed by Max Neufeld, with Eugen Neufeld, Tessy Harrison, Ivan Petrovich,
1923: Die kleine Sünde (Director of Photography), Directed by Julius Herska, with Nora Gregor, Hans Lackner, ,
1923: Drakula halála (Director of Photography), Directed by Károly Laithay, with Paul Askonas, Margit Lux, Dezsö Kertész,
1922: Die trennende Brücke (Director of Photography), Directed by Julius Herska, with , , Nora Gregor,
1921: Meriota, die Tänzerin (Director of Photography), Directed by Julius Herska, with Max Devrient, Oscar Beregi sr., Viktor Kutschera,
1920: Das grinsende Gesicht (Director of Photography), Directed by Julius Herska, with , , ,
1919: Der Idiot (Director of Photography), Directed by Heinz Hanus, with Viktor Franz, Eugen Neufeld, ,

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