Otto Kanturek

Otto Kanturek

No Photo of Otto Kanturek
Director of Photography - Austria
Born July 27, 1897 in Vienna
Died June 1941 in Cawston, Norfolk, England

Mini-Biography:
Otto Kanturek was born on July 27, 1897 in Wien. He was an Austrian Director of Photography, known for Die Frau im Mond (1929), Die fremde Frau (1914), Vier um die Frau (1920), Otto Kanturek's first movie on record is from 1914. Otto Kanturek died on June , 1941 in Cawston, Norfolk, England. His last motion picture on file dates from 1940.

FilmographyFilmography [Auszug]
1940: Girl in the News (Director of Photography),
1940: Night Train to Munich (Director of Photography), Directed by Carol Reed, with Margaret Lockwood, Rex Harrison, Paul Henreid,
1939: Shipyard Sally (Director of Photography),
1939: Ten Days in Paris (Director of Photography), Directed by Tim Whelan, with John Abbott, Leo Genn, Rex Harrison,
1938: One Night in Paris (Director of Photography),
1938: Hold My Hand (Director of Photography),
1938: Queer Cargo (Director of Photography),
1938: Housemaster (Director of Photography),
1938: So this is London (Director of Photography), with Stewart Granger,
1937: Over She Goes (Director of Photography),
1937: Let's Make a Night of It (Director of Photography),
1937: Please Teacher (Director of Photography),
1936: A Clown Must Laugh (Director of Photography),
1936: The Prisoner of Corbal (Director of Photography),
1936: Love in Exile (Director of Photography),
1935: Abdul the Damned (Director of Photography), Directed by Karl Grune, with Nils Asther, Adrienne Ames, Fritz Kortner,
1935: Music Hath Charms (Director of Photography),
1934: Blossom Time (Director of Photography), Directed by Paul Ludwig Stein, with Jane Baxter, Carl Esmond, Irene Prador,
1934: Mister Cinders (Director of Photography),
1934: April Blossoms (Director of Photography),
1934: Freedom of the Seas (Director of Photography),
1934: Bariole (Director of Photography),
1934: Those Were the Days (Director of Photography),
1933: Grossfürstin Alexandra (Director of Photography), Directed by Wilhelm Thiele, with Maria Jeritza, Paul Hartmann, Leo Slezak,
1933: Tout pour l'amour (Director of Photography), Directed by Henri-Georges Clouzot, Joe May, with Jan Kiepura, , Charles Dechamps,
1933: Muss man sich gleich scheiden lassen ? (Director of Photography), Directed by Hans Behrendt, with Inez Allegri, Beppo Brem, Josef Eichheim,
1933: Flucht nach Nizza (Director of Photography), Directed by James Bauer, with , Georg Alexander, Else Elster,
1933: Ein Lied für Dich (Director of Photography), Directed by Joe May, with Ralph Arthur Roberts, Jenny Jugo, Paul Kemp,
1932: Une jeune fille et un million (Director of Photography),
1932: La femme de mes rêves (Director of Photography),
1932: Unter falscher Flagge (Director of Photography), Directed by Johann Meyer, with Gustav Fröhlich, , Theodor Loos,
1932: Der Orlow (Director of Photography), Directed by Max Neufeld, with Victor De Kowa, Kurt Lilien, Leo Peukert,
1932: Moderne Mitgift (Director of Photography), Directed by E.W. Emo, with Georg Alexander, Trude Berliner, Hans Brausewetter,
1932: Mädchen zum Heiraten (Director of Photography), Directed by Wilhelm Thiele, with Wolf Albach-Retty, Margita Alfvén, Ludwig Donath,
1932: Sehnsucht 202 (Director of Photography), Directed by Max Neufeld, with Luise Rainer, Magda Schneider,
1931: Opernredoute (Director of Photography), Directed by Max Neufeld, with Ivan Petrovich, Liane Haid, Georg Alexander,
1931: Eine Nacht im Grandhotel (Director of Photography),
1931: Und das ist die Hauptsache (Director of Photography), Directed by Joe May, with Nora Gregor, , Harry Liedtke,
1931: Drei Tage Liebe (Three Days of Love) (Director of Photography), Directed by Heinz Hilpert, with Hans Albers, Lotte Stein, Trude Berliner,
1931: Ihre Majestät die Liebe (Her Majesty Love) (Director of Photography), Directed by Joe May, with Ralph Arthur Roberts, Franz Lederer, Joe May,
1931: 24 Stunden aus dem Leben einer Frau (Director of Photography), Directed by Robert Land, with Friedrich Kayssler, Margo Lion, Henny Porten,
1931: Zwei in einem Auto (Director of Photography), Directed by Joe May, with Karl Ludwig Diehl, Magda Schneider, Richard Romanowsky,
1931: Die Abenteurerin von Tunis (Director of Photography),
1930: Kohlhiesels Töchter (Director of Photography), Directed by Hans Behrendt, with Heinz Leo Fischer, Franz Gross, Karl Harbacher,
1930: Die Lindenwirtin (Director of Photography), Directed by Georg Jacoby, with Hans-Heinz Bollmann, Frigga Braut, Käthe Dorsch,
1930: L' amour chante (Love Songs) (Director of Photography),
1930: Komm' zu mir zum Rendezvous (Director of Photography), Directed by Carl Boese, with Lucie Englisch, Alexa Engström, Margarete Kupfer,
1930: Mon gosse de père (The Parisian) (Director of Photography), Directed by Jean de Limur, with Adolphe Menjou, , ,
1929: Unschuld (Director of Photography), Directed by Robert Land, with Käthe von Nagy, Maly Delschaft, Karl Forest,
1929: Die Frau im Mond (By Rocket to the Moon) (Director of Photography), Directed by Fritz Lang, with Gerda Maurus, Willy Fritsch, Klaus Pohl,
1929: Das Land ohne Frauen (Land without Women) (Director of Photography), Directed by Carmine Gallone, with Elga Brink, Conrad Veidt, Grete Berger,
1929: Der Würger (Director of Photography), Directed by Géza von Bolváry, with Carlyle Blackwell, Winter Hall, Gordon Harker,
1928: 6 Mädchen suchen Nachtquartier (Director of Photography), Directed by Hans Behrendt, with Georg Alexander, Ilse Baumann, Julius E. Herrmann,
1927: Die grosse Abenteuerin (Director of Photography), Directed by Robert Wiene, with Lili Damita, Georg Alexander, Alfred Solm,
1927: Der Geisterzug (The Ghost Train) (Director of Photography), Directed by Géza von Bolváry, with Ilse Bois, Guy Newall, Louis Ralph,
1927: Die berühmte Frau (Director of Photography), Directed by Robert Wiene, with Lili Damita, Alfred Solm, Warwick Ward,
1927: Mein Leben für das Deine (Director of Photography), Directed by Luitz Morat, with Francesca Bertini, Warwick Ward, Simone Vaudry,
1926: Gasthaus zur Ehe (The Marriage Hotel) (Director of Photography), Directed by Georg Jacoby, with Elga Brink, Georg Alexander, Mary Kid,
1926: Der Geiger von Florenz (Director of Photography), Directed by Paul Czinner, with Elisabeth Bergner, Conrad Veidt, Nora Gregor,
1926: Die versunkene Flotte (Director of Photography), Directed by Manfred Noa, with Hans Albers, Nils Asther, Henry Bender,
1925: Elegantes Pack (Director of Photography), Directed by Jaap Speyer, with Lissy Arna, Eugen Klöpfer, Mary Odette,
1925: Ballettratten (Director of Photography), Directed by Arthur Günsburg, with Carl de Vogt, , Cläry Lotto,
1924: Harry Hills Jagd auf den Tod [Teil 2] (Director of Photography), Directed by Lorenz Bätz, Willy Rath, with Valy Arnheim, Marga Lindt, Aruth Wartan,
1924: Harry Hills Jagd auf den Tod [Teil 1] (Director of Photography), Directed by Lorenz Bätz, Willy Rath, with Valy Arnheim, Marga Lindt, Aruth Wartan,
1924: Rosenmontag (Director of Photography), Directed by Rudolf Meinert, with Gerd Briese, , Maria Reisenhofer,
1923: Quarantäne (Director of Photography), Directed by Max Mack, with , Robert Garrison, Heinrich George,
1922: Wer wirft den ersten Stein ? (Director of Photography: --??--), Directed by Arthur Günsburg, with Charlotte Böcklin, Kurt Brenkendorf, Carl de Vogt,
1922: Es waren zwei Königskinder (Director of Photography), Directed by Arthur Günsburg, with Carl de Vogt, Wilhelm Kaiser-Heyl, Ida Perry,
1922: Der Unheimliche (Director of Photography), Directed by Ernst Wendt, with Bruno Decarli, Bruno Ziener,
1921: Die Liebschaften des Hektor Dalmore (Director of Photography), Directed by Richard Oswald, with Conrad Veidt, Erna Morena, Kitty Moran,
1920: Vier um die Frau (Director of Photography), Directed by Fritz Lang, with Carola Toelle, Hermann Böttcher, Ludwig Hartau,
1920: Das Vierte Gebot (Director of Photography), Directed by Richard Oswald, with Hans Homma, Emmy Schleinitz, ,
1920: Zu den Höhen der Menschheit (Director of Photography), Directed by Arthur Günsburg, with Henri Peters-Arnolds, Maria Zelenka, Lo Bergner,
1920: Die Trommeln Asiens (Director of Photography), Directed by Uwe Jens Krafft, with Rudolf Lettinger, Käte Haack, Arnold Marlé,
1920: Die Verwandlung (Director of Photography), Directed by Karl Heinz Martin, with Roma Bahn, Elsa Wagner, Walter Janssen,
1920: Auto 1472 (Director of Photography),
1920: Enis Aldjelis, die Rose des Ostens (Director of Photography), Directed by Ernst Marischka, with Lilly Marischka, , ,
1920: Die Welt ohne Hunger (Director of Photography), Directed by Arthur Wellin, with Ernst Stahl-Nachbaur, , Sybill de Brée,
1919: Durch die Quartiere des Elends und des Verbrechens (Director of Photography), Directed by Robert Land, with Alfred Gerasch, Walter Huber, Anna Kallina,
1919: Teufelstriller (Director of Photography), Directed by Ludwig Hamburger, with Felix Dombrowsky, Hedda Kostner, R.A. Zwillinger,
1919: Adrian Vanderstraaten (Director of Photography), Directed by Robert Land, with Anna Kallina, , ,
1919: Die Rache ist mein (Director of Photography), Directed by Robert Land,
1919: Fürst S.S. (Director of Photography), Directed by Ernst Marischka, with Hubert Marischka, , ,
1919: Die Seele des Mörders (Director of Photography), with Franz Höbling, Magda Sonja,
1919: Der Idiot (Director of Photography), Directed by Heinz Hanus, with Viktor Franz, Eugen Neufeld, ,
1918: Wetterleuchten (Director of Photography), Directed by Franz Köhler, with , , ,
1918: Das Leben einer Primadonna (Director of Photography), Directed by Franz Köhler, with ,
1914: Die fremde Frau (Director of Photography), Directed by Rudolf del Zopp, with , Esther Hagan, Karl Platen,

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Otto Kanturek - KinoTV updated Tue 02. Apr. 2019