Till the clouds roll by | |  |
Production: Metro-Goldwyn-Mayer (MGM) [(controlled by Loew's Incorporated)] USA, 1946
Director: Metro-Goldwyn-Mayer (MGM), Vincente Minnelli [(not credited) Judy Garlands number2], George Sidney [(Hollywood finale sequence) (not credited)]
Producer: Arthur Freed
Scenario: Myles Connolly, Jean Holloway, Jean Holloway
Based on : Guy Bolton
Director of Photography: George J. Folsey, Harry Stradling
Composer: Jerome Kern [Songs]
Editor: Albert Akst
Art Director: Cedric Gibbons, Daniel B. Cathcart
Set Decoration: Daniel B. Cathcart
Costume Design: Helen Rose
Sound Engineer: Douglas Shearer
Cast: Robert Walker [Jerome Kern], Van Heflin [James I. Hessler], Lucille Bremer [Sally Hessler], Dorothy Patrick [Eva Kern], Judy Garland [Marilyn Miller], June Allyson [Jane in 'Leave it to Jane'], Gower Champion [Tänzerin in 'Roberta'], Cyd Charisse [Tänzerin in 'Roberta'], Kathryn Grayson [Magnolia in 'Show Boat' / Kathryn Grayson], Harry Hayden [Charles Frohman], Lena Horne [Julie in 'Show Boat' / Lena Horne], Van Johnson [Bandleader im Elite Club], Paul Langton [Oscar Hammerstein II], Angela Lansbury [London Specialty], Tony Martin [Gaylord Ravenal in 'Show Boat' / Tony Martin], Ray McDonald [Tänzer in 'Leave it to Jane' / Ray McDonald], Mary Nash [Mrs. Muller], Virginia O'Brien [Ellie May Shipley in 'Show Boat' / Virginia O'Brien], Caleb Peterson [Joe in 'Show Boat'], Dinah Shore [Julia Sanderson / Dinah Shore], Frank Sinatra [Sänger in Schlussnummer / Frank Sinatra], Frank Sinatra [Sally Hessler as a Girl], Frank Sinatra [Stage Door Johnny (not credited)], Frank Sinatra [Call Boy (not credited)], Frank Sinatra [Parade Member / Singer (not credited)], Frank Sinatra [Secretary (not credited)], Stanley Andrews [Doctor (not credited)], Stanley Andrews [Showgirl (not credited)], Stanley Andrews [Stage Door Johnny (not credited)], Stanley Andrews [Maid (not credited)], Stanley Andrews [Critic (not credited)], Karin Booth [Reclining Show Girl], Karin Booth [Specialty Dancer (not credited)], Karin Booth [Stage Door Johnny (not credited)], Karin Booth [Showgirl (not credited)], Karin Booth [Bird Act (not credited)], Karin Booth [Showgirl (not credited)], Karin Booth [Showgirl (not credited)], Ann Codee [Mme. Larouche (not credited)], Ann Codee [Critic (not credited)], Harry Denny [Stage Door Johnny (not credited)], Elspeth Dudgeon [Katie (not credited)], Ralph Dunn [Moving Man (not credited)], Ralph Dunn [Critic (not credited)], Rex Evans [Cecil Keller (not credited)], James Finlayson [Candy Vendor (not credited)], Bess Flowers [Backstage Well-Wisher (not credited)], William Forrest [Movie Director (not credited)], Sally Forrest [Showgirl (not credited)], Byron Foulger [Frohman], Byron Foulger [Showgirl (not credited)], Herschel Graham [Critic (not credited)], Herschel Graham [Bull Clown (not credited)], Herschel Graham [Critic (not credited)], William Halligan [Cap], Sam Harris [Club Elite Patron (not credited)], Sam Harris [Showgirl (not credited)], Russell Hicks [Producer (not credited)], Stuart Holmes [Man Waiting in Frohman], Reed Howes [Critic (not credited)], Reed Howes [Critic (not credited)], Lilyan Irene [Barmaid (not credited)], Lilyan Irene [Dance Specialty (not credited)], Thomas Louden [Rural Postman (not credited)], Thomas Louden [Dancer (not credited)], Thomas Louden [Stage Door Johnny (not credited)], Thomas Louden [Critic (not credited)], Thomas Louden [Showgirl (not credited)], Thomas Louden [Swivel Chair Lady (not credited)], Matt Mattox [Dance Specialty (not credited)], Matt Mattox [Specialty Dancer (not credited)], Eric Mayne [Club Elite Patron (not credited)], May McAvoy [Well-Wisher after], May McAvoy [Showgirl (not credited)], May McAvoy [Stage Door Johnny (not credited)], May McAvoy [Critic (not credited)], Tony Merlo [Critic (not credited)], Howard M. Mitchell [Private Detective (not credited)], Bert Moorhouse [Elite Club Diner (not credited)], Bert Moorhouse [Stage Door Johnny (not credited)], Bert Moorhouse [Critic (not credited)], Robert Emmett O'Connor [Ed (not credited)], Robert Emmett O'Connor [Stage Door Johnny (not credited)], Lee Phelps [Moving Man (not credited)], Lee Phelps [Critic (not credited)], 'Snub' Pollard, 'Snub' Pollard [Critic (not credited)], Larry Steers [Critic (not credited)], Larry Steers [Man with Parasol Idea (not credited)], Ray Teal [Movie Studio Orchestra Conductor (not credited)], Ray Teal [Showgirl (not credited)], Ray Teal [Showgirl (not credited)], Ray Teal [Private Detective (not credited)], Ray Teal [Specialty (segment], Ray Teal [Specialty (segment], Ray Teal [Esther Williams - Signing Autographs (not credited)], Ray Teal [Critic (not credited)], Ray Teal [Bull Clown (not credited)]
Category: Feature Film
Technical Details: Format: 35 mm, 1:1,37 - Ratio: 1:1,33 - Color Technicolor,Length: 137 minutes
Sound System: mono
First Screening: December 5, 1946 in New York City, New York
Survival Status: Prints of this picture exist
Distribution: Metro-Goldwyn-Mayer (MGM)
German title: Bis die Wolken vorüberzieh'n
English title: Silver Lining (working title)
French title: La pluie qui chante
Italian title: Nuvole passeggere
Spanish title: Cuando pasan las nubes
Spanish title: Hasta que las nubes pasen
Portugischer Titel: Quando as Nuvens Passam
Portugischer Titel: Até as Nuvens Passarem
Ungarischer Titel: Amíg a felhők tovaúsznak
Polnischer Titel: Burzliwe zycie Kerna
Russischer Titel: Пока плывут облака
Bulgarischer Titel: Докато облаците отминат
Dänischer Titel: Efter regn kommer sol
Schwedischer Titel: Efter regn kommer solsken
Finnischer Titel: Kunnes pilvet väistyvät
Reviews in German: "Typisches Bio-Pic der Vierziger Jahren in tollen Technicolor-Farben, die Biographie des Musical-Komponisten Jerome Ker, dessen "Show Boat" als erstes echtes amerikanisches Musical gilt. Die Inszenierung ist ziemlich schleppend und wirkt recht antiquiert, aber manche der Shownummern mit den Stars der damaligen Zeit bleiben sehenswert." (lhg 2006)
"... Trotz des überzeugenden Hauptdarstellers schleppt sich die Handlung zwischen den zahlreichen gelungenen Musiknummern eher mühsam dahin." (Lexikon des Internationalen Films)
"(...) Im weitesten Sinne eine Art Biographie über den Songschreiber Jerome Kern, bietet der Film im Grunde ein Medley von Kern-Melodien, das in eine recht schlampige und lückenhafte Handlung eingebaut war. Kern starb kurz bevor der Film in die Kinos kam. Der Atmosphäre nach zu urteilen, die er vermittelt, könnte man annehmen, dass man ihn als eine Art Nachruf konzipert hatte, was jedoch nicht der Fall war. Kern war sogar zugegen, um als Ratgeber bei den Dreharbeiten Hilfestellung zu leisten. Es ist schwer zu verstehen, was ihn hatte dazu bewegen können, Robert Walkers lächerliches Portrait seines Schaffens ernst zu nehmen und in dieser Form zu akzeptiern. Und dass man Walker für die Hauptrolle vorgesehen hatte, war mindestens ebenso ein Fehlgriff wie später Mickey Rooney in der Rolle des Lorenz Hart in Words and Music. (...)" (James Juneau, Judy Garland, Heyne)
Bibliography - James Juneau, Judy Garland, Ihre Filme- Ihr Leben, Heyne Filmbibliothek Nr. 14, pg 109ff
References in Databases
IMDb - International Movie Data Base Nr. tt0039035
KinoTV Database Nr. 10016
Last Update of this record 29.12.2018Disclaimer
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The copyright lies with the authors of these quotes - Till the clouds roll by - KinoTV © May 29, 2024 by Unicorn Media
Till the clouds roll by - KinoTV © May 29, 2024 by Unicorn Media
